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A grammar of cinepoiesis : poetic cameras of Italian cinema /
A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham, Maryland :
Lexington Books,
[2015]
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| Colección: | Cine-aesthetics: new directions in film and philosophy
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Carlorosi, Silvia, |d 1975- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjFcpGXcj83fDbfF67jBRq | |
| 245 | 1 | 2 | |a A grammar of cinepoiesis : |b poetic cameras of Italian cinema / |c Silvia Carlorosi. |
| 264 | 1 | |a Lanham, Maryland : |b Lexington Books, |c [2015] | |
| 300 | |a 1 online resource (xxxi, 189 pages) | ||
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| 490 | 0 | |a Cine-aesthetics: new directions in film and philosophy | |
| 504 | |a Includes bibliographical references (pages 175-180) and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Introduction: The Grammar of Cinepoiesis. How does a Poetic Camera Work? -- Meter and Rhetoric: Leopardi's poetics in Federico Fellini's La voce della luna -- Im-Signs and Free Indirect Subjective: Pier Paolo Pasolini's Cinema of Poetry: Accattone and Mamma Roma -- Color and Focus: Michelangelo Antonioni's Il deserto rosso and Blow-Up -- Sound and Silence: Franco Piavoli's Il pianeta azzurro and Nostos -- Movement and Form: Matteo Garrone's Primo amore and Gomorra -- Epilogue: The Visual Power of Images. | |
| 520 | |a A unique contribution to the fields of film studies and critical and cinematic theory, A Grammar of Cinepoiesis explores the theoretical and practical modes of a cinema of poetry and examines how it breaks the convention of narrative in cinema. Carlorosi demonstrates how cinema of poetry is able to open a dialogue between author, text, and viewers, while cinematic authors, like poietes (poets), bring to life multiple possible worlds. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |z Italy |x History. | |
| 650 | 0 | |a Motion picture producers and directors |z Italy |v Interviews. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |z Italie |x Histoire. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Italie |v Entretiens. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 651 | 7 | |a Italy |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP | |
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| 776 | 0 | 8 | |i Print version: |t A grammar of cinepoiesis. |d Lanham, Maryland : Lexington Books, [2015] |z 9781498509848 |w (DLC) 2015024294 |
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