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Socioaesthetics : ambience - imaginary /

Aesthetics is no longer the preserve of art historians and philosophers of art. Changes in society, culture, economy, urban dynamics and everyday life, push us towards considering the aesthetic components of traditionally non-aesthetic domains. Today it is not only legitimate but necessary to query...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Michelsen, Anders, 1957- (Editor ), Tygstrup, Frederik (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden : Brill, [2015]
Colección:Social and critical theory ; v. 19.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Social and critical theory ;  |v volume 19 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed October 19, 2015). 
504 |a Includes bibliographical references and index. 
505 0 |a Socioaesthetics: Ambience -- Imaginary; Copyright; Contents; List of Illustrations; Contributors; Introduction; Part I: Ambience -- Imaginary; 1: The Socioaesthetics of Being Surrounded: Ambient Sociality and Contemporary Movement-Space; 2: Distant Relations: Negotiating Experiences of Space in Modern Literature; 3: Mapped Bodies Notes on the Use of Biometrics in Geopolitical Contexts; 4: Mnemosyne and Amnesia. Social Memory and the Paradoxes of Monumental Images; 5: The Hidden Homeless -- From Bio-Politics to Popular Culture in Contemporary Japanese Society. 
505 8 |a 6: No Man's Langue: Rethinking Language with Ghérasim LucaPart II: Imaginary -- Ambience; 7: Here is a Picture of No Country: The Image between Fiction and Politics in Eric Baudelaire's Lost Letters to Max; 8: Cute and Cool in Contemporary Japanese Visual Arts; 9: Socioaesthetics from the Margin -- On Prosopopoiesis and New Media; 10: The Coming of the Intrinsic Age; 11: So Sharp You Could Bleed: Sharpies and Artistic Representation, A Moment in the Seventies History of Melbourne; 12: Smuggling Lust. On the Cultural Re-turn of Luxury; Index. 
520 |a Aesthetics is no longer the preserve of art historians and philosophers of art. Changes in society, culture, economy, urban dynamics and everyday life, push us towards considering the aesthetic components of traditionally non-aesthetic domains. Today it is not only legitimate but necessary to query the relationship between the social as a cohesive and encompassing form of community and human institutions and the aesthetic, that is the sensual, sensory, or, perhaps better, the sensible. Increasingly the social seems to emerge from the sensible and sentient meaning of objects. The volume SocioAesthetics: Ambience ¿́¿ Imaginary collects scholars from social science, aesthetics, arts, and cultural studies in case-driven debate, ranging from biometrics to luxury commodities, on how a new alignment of aesthetics and the social is possible and what the possible prospects of this may be. 
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