Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film /

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"The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Leppert, Richard D. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Temas:
Puccini, Giacomo, > 1858-1924. > Fanciulla del West.
Fitzcarraldo (Motion picture)
Days of heaven (Motion picture)
Fanciulla del West (Puccini, Giacomo)
1900-1999
Music > Philosophy and aesthetics.
Modernism (Music) > History > 20th century.
Opera > Social aspects.
Motion pictures > Social aspects.
Sound recordings > Social aspects.
Nature in music.
Nature in motion pictures.
Musique > Philosophie et esthétique.
Modernisme (Musique) > Histoire > 20e siècle.
Cinéma > Aspect social.
Nature dans la musique.
Nature au cinéma.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
MUSIC > Genres & Styles > Opera.
Modernism (Music)
Motion pictures > Social aspects
Music > Philosophy and aesthetics
Nature in motion pictures
Nature in music
Opera > Social aspects
Sound recordings > Social aspects
aesthetic modernism.
early 20th century culture.
early 20th century fine arts.
early 20th century music.
early 20th century subjectivity.
early century opera recording.
film.
modern media.
musical aesthetics of the early 20th century.
musical technology.
nature in film.
nature in western modernity.
opera music.
sound recording.
sounds of modernity.
tensions and traumas of modernity.
visions of modernity.
western modernity.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West
  • Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo
  • Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929
  • Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide
  • Sound, subjectivity, and death : Days of heaven (promesse du bonheur)
  • Conclusion : acoustic invocations of crisis and hope.

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