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Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film /
"The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Leppert, Richard D., |e author. | |
| 245 | 1 | 0 | |a Aesthetic technologies of modernity, subjectivity, and nature : |b opera · orchestra · phonograph · film / |c Richard Leppert. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. | |
| 520 | |a "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas--cultural, social, and personal--associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"--Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Puccini, Giacomo, |d 1858-1924. |t Fanciulla del West. |
| 630 | 0 | 0 | |a Fitzcarraldo (Motion picture) |
| 630 | 0 | 0 | |a Days of heaven (Motion picture) |
| 630 | 0 | 7 | |a Days of heaven (Motion picture) |2 fast |
| 630 | 0 | 7 | |a Fanciulla del West (Puccini, Giacomo) |2 fast |
| 630 | 0 | 7 | |a Fitzcarraldo (Motion picture) |2 fast |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Modernism (Music) |x History |y 20th century. | |
| 650 | 0 | |a Opera |x Social aspects. | |
| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 0 | |a Sound recordings |x Social aspects. | |
| 650 | 0 | |a Nature in music. | |
| 650 | 0 | |a Nature in motion pictures. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Modernisme (Musique) |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 6 | |a Nature dans la musique. | |
| 650 | 6 | |a Nature au cinéma. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Modernism (Music) |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Nature in motion pictures |2 fast | |
| 650 | 7 | |a Nature in music |2 fast | |
| 650 | 7 | |a Opera |x Social aspects |2 fast | |
| 650 | 7 | |a Sound recordings |x Social aspects |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a aesthetic modernism. | ||
| 653 | |a early 20th century culture. | ||
| 653 | |a early 20th century fine arts. | ||
| 653 | |a early 20th century music. | ||
| 653 | |a early 20th century subjectivity. | ||
| 653 | |a early century opera recording. | ||
| 653 | |a film. | ||
| 653 | |a modern media. | ||
| 653 | |a musical aesthetics of the early 20th century. | ||
| 653 | |a musical technology. | ||
| 653 | |a nature in film. | ||
| 653 | |a nature in western modernity. | ||
| 653 | |a opera music. | ||
| 653 | |a sound recording. | ||
| 653 | |a sounds of modernity. | ||
| 653 | |a tensions and traumas of modernity. | ||
| 653 | |a visions of modernity. | ||
| 653 | |a western modernity. | ||
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Aesthetic technologies of modernity, subjectivity, and nature (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPhJCTC7MQpWkvtGhykwC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Leppert, Richard D. |t Aesthetic technologies of modernity, subjectivity, and nature |z 9780520287372 |w (DLC) 2015009826 |w (OCoLC)905450269 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1991890 |z Texto completo |
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