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The Roots of Modern Hollywood : the Persistence of Values in American Cinema, from the New Deal to the Present.
In this insightful study of Hollywood cinema since 1969, film historian Nick Smedley traces the cultural and intellectual heritage of American films, showing how recentHollywood movies owe a profound debt to the liberal values of New Deal cinema. Hollywood cinema is not usually thought of as politic...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Smedley, Nick. | |
| 245 | 1 | 4 | |a The Roots of Modern Hollywood : |b the Persistence of Values in American Cinema, from the New Deal to the Present. |
| 260 | |a Bristol : |b Intellect, |c 2014. | ||
| 300 | |a 1 online resource (226 pages) | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; Chapter 1: The failure of American liberalism and the cinema of despair: Hollywood in the 1970s; Chapter 2: The disappointment of the liberal renaissance: Hollywood in the Clinton era, 1992-2000; Fantasy in the 1990s; Exemplar film one: Groundhog Day; Exemplar film two: The Truman Show; Author's interview with Peter Weir; Introduction to the published screenplay of The Truman Show, by Peter Weir; Chapter 3: The rise and fall of the Republicans: Melancholy meditationson America's destiny, 2000-2012. | |
| 505 | 8 | |a Film noir for the new millenniumExemplar film three: Collateral; Author's interview with Michael Mann; Exemplar film four: Michael Clayton; Author's interview with Tony Gilroy; Chapter 4: The enduring appeal of pacifism: Hollywood and Americanglobal imperialism, 1978-2010; The pacifist tradition; Exemplar film five: In the Valley of Elah; Author's interview with Paul Haggis; Chapter 5: The creeping advance of feminism: Hollywood and thechanging role of women in America, 1970 to the present; The feminist debate; Two-faced woman -- Julia Roberts as the incarnationof the American woman. | |
| 505 | 8 | |a Exemplar films six and seven: Pretty Woman and Erin BrockovichConclusion; Bibliographical essay; Index; Back Cover. | |
| 520 | |a In this insightful study of Hollywood cinema since 1969, film historian Nick Smedley traces the cultural and intellectual heritage of American films, showing how recentHollywood movies owe a profound debt to the liberal values of New Deal cinema. Hollywood cinema is not usually thought of as politically or socially engaged, but theauthor argues that it is, in fact, one of the most value-laden of all national cinemas. Drawing on a long historical view of persistent themes in Hollywood cinema, Smedleydemonstrates how film-makers in America continue to explore the balance between unbridled capita. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
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| 650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History |y 20th century. | |
| 650 | 0 | |a Motion picture industry |x Social aspects |z United States. | |
| 650 | 6 | |a Cinéma |x Industrie |z Californie |z Los Angeles |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Industrie |x Aspect social |z États-Unis. | |
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| 650 | 7 | |a Motion picture industry |x Social aspects |2 fast | |
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| 655 | 7 | |a History |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Smedley, Nick. |t Roots of Modern Hollywood. |d Bristol : Intellect, 2014 |z 9781783203741 |
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