Selling digital music, formatting culture /

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"Selling Digital Music documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morris, Jeremy Wade, 1976- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Temas:
Music trade > Technological innovations.
Music and the Internet.
Digital jukebox software > Case studies.
Musique > Industrie > Innovations.
Musique et Internet.
Logiciels de juke-box numériques > Études de cas.
BUSINESS & ECONOMICS > Commerce.
BUSINESS & ECONOMICS > Marketing > General.
BUSINESS & ECONOMICS > Sales & Selling > General.
MUSIC > Business Aspects.
Digital jukebox software
Music and the Internet
Music trade > Technological innovations
cloud computing.
digital jukebox.
digital music commodity.
digital music.
history of digital music.
history of music technology.
history of music.
history of recorded music.
industrial production of music.
itunes.
media studies.
metadata.
music and the internet.
music criticism.
music history.
music in popular culture.
music industry.
music marketing.
music technology.
music.
musicians.
napster.
popular music studies.
winamp.
Case studies
Acceso en línea:Texto completo
Descripción
Sumario:"Selling Digital Music documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Exploring the emergence of what Morris calls the digital music commodity, Selling Digital Music considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music's meanings and uses. Through case studies of five key technologies--Winamp, metadata, Napster, iTunes, and cloud computing--Morris questions how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CDs. The digitization of the music commodity connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music is a sounding out of music's encounters with the interfaces, metadata, and algorithms of digital culture."--Provided by publisher
Descripción Física:1 online resource
Bibliografía:Includes bibliographical references and index.
ISBN:9780520962934
0520962931

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