Apocalypse-cinema : 2012 and other ends of the world /

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Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like '2012', 'The Day After Tomorrow', and 'Terminator'. By looking at blockbusters that play with general annihilation while also paying close attention to films like ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Szendy, Peter
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: New York : Fordham University Press, 2015.
Edición:First edition.
Temas:
Apocalypse in motion pictures.
Science fiction films > History and criticism.
Fin du monde au cinéma.
Films de science-fiction > Histoire et critique.
PHILOSOPHY > Criticism.
Apocalypse in motion pictures
Science fiction films
Apocalypse.
Countdown.
Speculative Realism.
cineworld.
deconstruction.
film.
nihilism.
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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100 1 |a Szendy, Peter. 
240 1 0 |a Apocalypse-cinema.  |l English 
245 1 0 |a Apocalypse-cinema :  |b 2012 and other ends of the world /  |c Peter Szendy ; translated by Will Bishop. 
250 |a First edition. 
260 |a New York :  |b Fordham University Press,  |c 2015. 
300 |a 1 online resource 
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500 |a "This book was originally published in French as Peter Szendy, L'apocalypse-cinema: 2012 et autres fin du"--Title page verso 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Front ; CONTENTS; FOREWORD: One Sun Too Many; Melancholia, or The After-All; The Last Man on Earth, or Filmas Countdown; Cloverfield, or The Holocaustof the Date; Terminator, or The Arche- Traveling Shot; 2012, or Pyrotechnics; A.I., or The Freeze; Pause, for Inventory (the "Apo"); Watchmen, or The Layering of the Cineworld; Sunshine, or The Black-and-White Radiography; Blade Runner, or The Interworlds; Twelve Monkeys, or The Pipes of the Apocalypse; The Road, or The Language of a Drowned Era; The Blob, or The Bubble; POSTFACE Il n'y a pas de hors-fi lm, or Cinema and Its Cinders. 
520 8 |a Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like '2012', 'The Day After Tomorrow', and 'Terminator'. By looking at blockbusters that play with general annihilation while also paying close attention to films like 'Melancholia', 'Cloverfield', 'Blade Runner', and 'Twelve Monkeys', this book suggests that in the apocalyptic genre, film gnaws at its own limit. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Apocalypse in motion pictures. 
650 0 |a Science fiction films  |x History and criticism. 
650 6 |a Fin du monde au cinéma. 
650 6 |a Films de science-fiction  |x Histoire et critique. 
650 7 |a PHILOSOPHY  |x Criticism.  |2 bisacsh 
650 7 |a Apocalypse in motion pictures  |2 fast 
650 7 |a Science fiction films  |2 fast 
653 |a Apocalypse. 
653 |a Countdown. 
653 |a Speculative Realism. 
653 |a cineworld. 
653 |a deconstruction. 
653 |a film. 
653 |a nihilism. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Szendy, Peter.  |t Apocalypse-Cinema : 2012 and Other Ends of the World.  |d Bronx : Fordham University Press, ©2015  |z 9780823264803 
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