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Spoofing the modern : satire in the Harlem Renaissance /
"Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from maj...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbia :
University of South Carolina Press,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dickson-Carr, Darryl, |d 1968- |1 https://id.oclc.org/worldcat/entity/E39PBJpTYbWPK8PcHy6HJdRxjC | |
| 245 | 1 | 0 | |a Spoofing the modern : |b satire in the Harlem Renaissance / |c Darryl Dickson-Carr. |
| 260 | |a Columbia : |b University of South Carolina Press, |c 2015. | ||
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Spoofing the Modern is the first book devoted solely to studying the role satire played in the movement known as the "New Negro," or Harlem, Renaissance from 1919 to 1940. As the first era in which African American writers and artists enjoyed frequent access to and publicity from major New York-based presses, the Harlem Renaissance helped the talents, concerns, and criticisms of African Americans to reach a wider audience in the 1920s and 1930s. These writers and artists joined a growing chorus of modernity that frequently resonated in the caustic timbre of biting satire and parody. The Harlem Renaissance was simultaneously the first major African American literary movement of the twentieth century and the first major blooming of satire by African Americans. Such authors as folklorist and anthropologist Zora Neale Hurston, poet Langston Hughes, journalist George S. Schuyler, writer-editor-poet Wallace Thurman, physician Rudolph Fisher, and artist Richard Bruce Nugent found satire an attractive means to criticize not only American racism, but also the trials of American culture careening toward modernity. Frequently, they directed their satiric barbs toward each other, lampooning the painful processes through which African American artists struggled with modernity, often defined by fads and superficial understandings of culture. Dickson-Carr argues that these satirists provided the Harlem Renaissance with much of its most incisive cultural criticism. The book opens by analyzing the historical, political, and cultural circumstances that allowed for the "New Negro" in general and African American satire in particular to flourish in the 1920s. Each subsequent chapter then introduces the major satirists within the larger movement by placing each author's career in a broader cultural context, including those authors who shared similar views. Spoofing the Modern concludes with an overview that demonstrates how Harlem Renaissance authors influenced later cultural and literary movements"-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Spoofing the Modern; Title; Copyright; Dedication; Contents; Acknowledgments; 1 Toward a Revision of the Harlem Renaissance; 2 The Importance of Being Iconoclastic: George S. Schuyler, the Messenger, and the Black Menckenites; 3 Wallace Thurman, Richard Bruce Nugent, and the Reification of "Race," Aesthetics, and Sexuality; 4 Dickties vs. Rats: Class and Regional Differences within the New Negro Movement; 5 Punchlines; Notes; Bibliography; Index. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a African Americans in popular culture. | |
| 650 | 0 | |a African Americans in literature. | |
| 650 | 0 | |a Satire, American |x History and criticism. | |
| 650 | 0 | |a Harlem Renaissance. | |
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 651 | 0 | |a Harlem (New York, N.Y.) |x Intellectual life |y 20th century. | |
| 650 | 6 | |a Noirs américains dans la culture populaire. | |
| 650 | 6 | |a Noirs américains dans la littérature. | |
| 650 | 6 | |a Harlem Renaissance. | |
| 650 | 7 | |a Harlem Renaissance. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x African American. |2 bisacsh | |
| 650 | 7 | |a African Americans in literature |2 fast | |
| 650 | 7 | |a African Americans in popular culture |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 650 | 7 | |a Harlem Renaissance |2 fast | |
| 650 | 7 | |a Intellectual life |2 fast | |
| 650 | 7 | |a Satire, American |2 fast | |
| 651 | 7 | |a New York (State) |z New York |z Harlem |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrGyXpMqXwYhd9fm8C4v3 | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Spoofing the modern (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGmF9Wv7jdYJqRg8RJKtVd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dickson-Carr, Darryl, 1968- |t Spoofing the modern. |d Columbia : University of South Carolina Press, 2015 |w (DLC) 2015011070 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2076491 |z Texto completo |
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