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Film programming : curating for cinemas, festivals, archives /

"This book explores artistic choices in the field of cinema exhibition, focusing on film theatres, film festivals, and film archives, setting the various issues of film curating in their international context. The availability of artistic and commercial film has increased overwhelmingly as a re...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bosma, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Wallflower Press, an imprint of Columbia University Press, [2015]
Colección:Short cuts (London, England) ; 59.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bosma, Peter,  |e author. 
245 1 0 |a Film programming :  |b curating for cinemas, festivals, archives /  |c Peter Bosma. 
246 3 0 |a Curating for cinemas, festivals, archives 
264 1 |a London ;  |a New York :  |b Wallflower Press, an imprint of Columbia University Press,  |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (142 pages) 
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490 1 |a Short cuts series ;  |v 59 
504 |a Includes bibliographical references and index. 
505 0 |a Reflection -- Cinephilia as a curatorial element -- the network of intermediaries -- Curating film theatres -- Curating Film festivals -- Curating film archives -- Case studies -- Conclusion: final words. 
520 |a "This book explores artistic choices in the field of cinema exhibition, focusing on film theatres, film festivals, and film archives, setting the various issues of film curating in their international context. The availability of artistic and commercial film has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition; in this overflow of supply a reasoned and well-grounded selection is necessary more than ever. The conventional structures of the film trade are in a process of transformation and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers; everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators themselves, or do research of the phenomenon of film curating, and those who are critical cinema visitors who want to investigate the story behind the process of selection of the available film supply and the way to present these films"--Publisher's description 
588 0 |a Print version record. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Film festival programs. 
650 0 |a Film archives. 
650 0 |a Curatorship. 
650 6 |a Festivals de cinéma  |x Programmes. 
650 6 |a Archives cinématographiques. 
650 6 |a Conservation. 
650 7 |a conservation (discipline)  |2 aat 
650 7 |a curating.  |2 aat 
650 7 |a preserving.  |2 aat 
650 7 |a preservation (function)  |2 aat 
650 7 |a conservation (process)  |2 aat 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Direction & Production.  |2 bisacsh 
650 7 |a Curatorship  |2 fast 
650 7 |a Film archives  |2 fast 
650 7 |a Film festival programs  |2 fast 
650 1 7 |a Programmering.  |2 gtt 
650 7 |a Literature: history & criticism.  |2 thema 
650 7 |a Psychology.  |2 thema 
650 7 |a Miscellaneous items.  |2 thema 
650 7 |a Films, cinema.  |2 thema 
650 7 |a Film history, theory & criticism.  |2 thema 
650 7 |a Performing Arts.  |2 ukslc 
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830 0 |a Short cuts (London, England) ;  |v 59. 
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