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Receptions of antiquity, constructions of gender in European art, 1300-1600 /
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden ; Boston :
Brill,
[2015]
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| Colección: | Metaforms ;
v. 3. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600; Copyright; Contents; Acknowledgments; List of Contributors; List of Figures; Introduction: Classical Reception, Gender Studies, and Art History; 1: Cross-Dressing in the Arena Chapel: Giotto's Virtue Fortitude Re-examined; 2: The Liminal Feminine: Illuminating Europain the Ovide Moralisé; 3: A Giant Corrupt Body: The Gendering of Renaissance Roma; 4: Luca Signorelli's Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena.
- 5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine's Head6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court; 7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto's Venus and Cupid; 8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance; 9: Picturing Rape and Revenge in Ovid's Myth of Philomela; 10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personificationsand Their Antique Models; 11: Conjugal Piety: Creusa in Barocci's Aeneas' Flightfrom Troy.