Music theory through musical theatre : putting it together /

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Music Theory through Musical Theatre takes a new and powerful approach to music theory. Written specifically for students in music theatre programs, it offers music theory by way of musical theatre. Not a traditional music theory text, Music Theory through Musical Theatre tackles the theoretical fou...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Franceschina, John Charles, 1947- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press, [2015]
Temas:
Musical theater > Instruction and study.
Music theory.
Théâtre musical > Étude et enseignement.
Théorie musicale.
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
Music theory
Musical theater > Instruction and study
Music.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Music Theory through Musical Theatre Putting It Together
  • Copyright
  • Contents
  • About theCompanion Website
  • For Teachers
  • For Students
  • Part One THE LEAD SHEET
  • 1 Basic Concepts for Reading, Writing, and Appreciating Music
  • Pitch, Staff, Clef, and Ledger Lines
  • Recognizing Pitches on the Piano Keyboard
  • Accidentals: Sharps, Flats, and Naturals
  • Double Sharps and Double Flats
  • Notes and Rhythm
  • Augmentation and Diminution
  • Dots and Ties
  • Rests
  • Meter and Time Signature
  • Simple Time Signatures
  • Other Simple Time Signatures
  • Compound Time Signatures
  • Infrequently Used Time Signatures
  • Tuplets
  • Beaming
  • Syncopation
  • Musical Terms and Symbols
  • Pickup Measures
  • Repeat Signs
  • Tempo Marks
  • Articulations
  • Dynamics
  • Expression Marks
  • 2 Major and Minor Scales
  • Major Scales
  • Key Signatures
  • Identifying Major Scales
  • Sight-Singing
  • Minor Scales
  • Writing Minor Scales
  • Identifying Minor Scales
  • Names of Scale Degrees
  • The Circle of Fifths
  • The Harmonic Minor Scale
  • The Melodic Minor Scale
  • Singing Minor Scales
  • The Major-Minor Scale (Mode Mixture)
  • Modal Shifts
  • Performing Major and Minor Scales
  • 3 Modes and Other Scales
  • Modes
  • "Minor" Modes
  • Writing and Singing the "Minor" Modes
  • The Locrian Mode
  • "Major" Modes
  • Writing and Singing the "Major" Modes
  • Other Scales: Pentatonic, Whole-Tone, and Chromatic
  • 4 Intervals
  • Perfect Intervals
  • Identifying the Qualitative Nature of Intervals
  • Major Intervals
  • Minor Intervals
  • Diminished Intervals
  • Augmented Intervals
  • The Tritone
  • Harmonic Intervals
  • Inversions of Intervals
  • Compound Intervals
  • Consonance and Dissonance
  • Review Quiz
  • Unit Test 1
  • Part Two THE ARRANGEMENT
  • 5 Triads, Seventh Chords, and Nonharmonic Tones
  • Harmony with Chords
  • Chord Tones.
  • Inversions of Chords
  • Singing Chords
  • Seventh Chords
  • Seventh Chord Inversions
  • Singing Seventh Chords
  • Nonchord Tones
  • Neighbor Tones
  • Passing Tones
  • Suspensions and Retardations
  • The Appoggiatura
  • Escape Tones
  • The Anticipation
  • Changing Tones
  • Pedal Tones
  • Free Tones
  • 6 Chord Progressions and Sixth Chords
  • Numbering Chords in Major Scales with Roman Numerals
  • Numbering Chords in Minor Scales with Roman Numerals
  • Numbering Diatonic Seventh Chords with Roman Numerals
  • Diatonic Chord Accompaniments
  • Alternating Bass
  • Chord Functionality
  • Harmonic Movement
  • Sight-Reading and Transposition
  • Major and Minor Sixth Chords
  • Review Quiz
  • Unit Test 2
  • 7 Singing Counterpoint 1
  • Counterpoint and Polyphony
  • Species Counterpoint
  • First Species Counterpoint
  • Dramatic Use of First Species Counterpoint
  • Second Species Counterpoint
  • Dramatic Use of Second Species Counterpoint
  • 8 Singing Counterpoint 2
  • Third Species Counterpoint
  • Dramatic Use of Third Species Counterpoint
  • Fourth Species Counterpoint
  • Dramatic Use of Fourth Species Counterpoint
  • Fifth Species Counterpoint
  • Dramatic Use of Fifth Species Counterpoint
  • Fugue
  • Review Quiz
  • Unit Test 3
  • 9 Chromatically Altered Chords
  • Secondary Dominants
  • Secondary Functions of the Leading Tone Chord
  • Common Tone Diminished Chords
  • Passing Diminished Chords
  • Neapolitan and Augmented Sixth Chords
  • Mode Mixture
  • 10 Song Form and Cadences
  • Periods, Phrases, and Cadences
  • The Authentic Cadence
  • The Half Cadence
  • The Plagal Cadence
  • The Deceptive Cadence
  • "Backdoor" Cadences
  • 11 Modulation and Tonicization
  • Modulation and Tonicization
  • Direct Modulation
  • Secondary Dominant Modulation
  • Third Relation Modulation
  • Pivot Tone (Common Tone) Modulation
  • Common Chord Modulation.
  • Diminished Seventh Chord Modulation
  • Augmented Sixth Chord Modulation
  • Tonicization
  • 12 Upper-Embellished Chords
  • Ninth, Eleventh, and Thirteenth Chords
  • Dramatic Use of Upper-Embellished Chords
  • "Sus" and "Add" Chords
  • Dramatic Use of "Sus" and "Add" Chords
  • Tone Groups
  • Vertical (Harmonic) Tone Groups
  • Horizontal (Melodic) Tone Groups
  • Review Quiz
  • Unit Test 4
  • Part Three THE PERFORMANCE
  • 13 Analysis-George Gershwin and Richard Rodgers
  • Music as Drama in Musical Theatre
  • "Meadow Serenade"
  • "Soon"
  • "A Puzzlement"
  • 14 Analysis-Leonard Bernstein and Stephen Sondheim
  • "What a Waste"
  • "I Love My Wife"
  • "Take Care of This House"
  • "With So Little to Be Sure Of"
  • 15 Analysis-Andrew Lloyd Webber, William Finn, and Jason Robert Brown
  • "The Beauty Underneath"
  • "The Baseball Game"
  • "It's Hard to Speak My Heart"
  • Acknowledgments
  • Alphabetical List of Musical Theatre Examples
  • Bibliography
  • Index.

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