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Representing 9/11 : trauma, ideology, and nationalism in literature, film, and television /
"As the horrific events of September 11, 2001, slip deeper into the past, the significance of 9/11 remains a global cultural touchstone. Initially, filmmakers, writers, and other artists wrangled with its meaning, often relying on fantastical, ethnic, or exceptionalist themes to address the psy...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Rowman and Littlefield,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Representing 9/11 : |b trauma, ideology, and nationalism in literature, film, and television / |c edited by Paul Petrovic. |
| 264 | 1 | |a Lanham : |b Rowman and Littlefield, |c [2015] | |
| 300 | |a 1 online resource (xvii, 231 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction / Paul Petrovic -- Counter-reactions against realism. Jess Walter's The zero: satirizing the "desert of the real" / Marjorie Worthington -- Memorializing post-9/11 New York in Jonathan Lethem's Chronic city / Jeffrey Severs -- Never give a good politician time to pray: Stephen King's treatment of political power and community involvement in Under the dome / Tamara Watkins -- Which came first: zombies or the plague?: Colson Whitehead's Zone one as Post-9/11 allegory / Anne Canavan -- A eulogy of the urban superhero: the everyday destruction of space in the superhero film / James M. Gilmore -- Perception, ideology and community. Paucity of imagination: stereotypes, public debates, and the limits of ideology in Amy Waldman's The submission / Amir Khadem -- Strangers in a homeland: veterans and "innocensus" in Billy Lynn's Long halftime walk and The yellow birds / Damon Barta -- "Our new customer is the Bush administration": questioning cultural identity and governmental surveillance in Allegra Goodman's The cookbook collector / Paul Petrovic -- "I'm the motherfucker who found this place": locating post-Bin Laden America in Zero dark thirty / Lloyd Isaac Vayo -- From 24 to Homeland: the shift in America's perception of terrorism / Deborah Pless -- Masculinity, marginalization, melancholy, and hyper-protection: the danger that keeps knocking: representations of post-9/11 masculinity in Vince Gilligan's Breaking bad / Shana Kraynak -- Post-closet and post-9/11: the bromantic imagination of disaster in This is the end and I'm so excited! / Ken Feil -- The human barnyard: rhetoric, identification, and symbolic representation in Giannina Braschi's United States of banana / Elizabeth Lowry -- The pain and prison of post-9/11 parenting in Jonathan Franzen's Freedom / Megan Cannella -- How to get to 9/11: Teju Cole's melancholic fiction / Ariela Freedman -- Poetic responses to 9/11 and Adrienne Rich's "The school among the ruins" / Lin Knutson -- International responses. "Some sense of bridge-making": exploring the relationship between America and Pakistan in Moshin Hamid's The reluctant fundamentalist and Mira Nair's film adaptation / Laura Findlay -- Haunting cartographies: mapping the aftermath in Joachim Trier's Oslo, 31st August / Danica Van De Velde. | |
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | |a "As the horrific events of September 11, 2001, slip deeper into the past, the significance of 9/11 remains a global cultural touchstone. Initially, filmmakers, writers, and other artists wrangled with its meaning, often relying on fantastical, ethnic, or exceptionalist themes to address the psychic dread of the terrorist attacks. Over time, however, more nuanced and socio-historical perspectives about 9/11 and its impact on America and the world have emerged. In Representing 9/11: Trauma, Ideology, and Nationalism in Literature, Film, and Television, prominent authors from a variety of disciplines demonstrate how emergent American and international texts expand upon and complicate the initial post-9/11 canon. Editor Paul Petrovic has assembled a collection of essays that broadens our understanding of how popular culture has addressed 9/11, particularly as it has evolved over time. Contributors bring fresh readings to popular novels, such as Jonathan Lethem's Chronic City and Jonathan Franzen's Freedom; films like Zero Dark Thirty and This Is the End; and television shows such as 24 and Homeland. Showcasing a diverse range of viewpoints, essays in this collection assess, among other topics, how African American identity is challenged by post-9/11 allegories; how superhero films foretell the inevitability of city-wide destruction by terrorists; and how shows like Breaking Bad problematize ideas of liberalism and masculinity. Though primarily aimed at scholars, Representing 9/11 seeks to engage readers interested in how various forms of media have interpreted the events and aftermath of the terrorist attacks in 2001"-- |c Provided by the publisher | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a American fiction |y 21st century |x History and criticism. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001, in literature. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001, in motion pictures. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001, on television. | |
| 650 | 0 | |a Terrorism in literature. | |
| 650 | 0 | |a Terrorism in motion pictures. | |
| 650 | 0 | |a Terrorism on television. | |
| 650 | 0 | |a Psychic trauma in literature. | |
| 650 | 0 | |a Psychic trauma in motion pictures. | |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001 |x Influence. | |
| 650 | 6 | |a Roman américain |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Attentats du 11 septembre 2001, États-Unis, dans la littérature. | |
| 650 | 6 | |a Attentats du 11 septembre 2001, États-Unis, au cinéma. | |
| 650 | 6 | |a Attentats du 11 septembre 2001, États-Unis, à la télévision. | |
| 650 | 6 | |a Terrorisme dans la littérature. | |
| 650 | 6 | |a Terrorisme au cinéma. | |
| 650 | 6 | |a Terrorisme à la télévision. | |
| 650 | 6 | |a Traumatisme psychique dans la littérature. | |
| 650 | 6 | |a Traumatisme psychique au cinéma. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a American fiction |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Psychic trauma in literature |2 fast | |
| 650 | 7 | |a Psychic trauma in motion pictures |2 fast | |
| 650 | 7 | |a September 11 Terrorist Attacks (2001) in literature |2 fast | |
| 650 | 7 | |a September 11 Terrorist Attacks (2001) in motion pictures |2 fast | |
| 650 | 7 | |a September 11 Terrorist Attacks, 2001, on television |2 fast | |
| 650 | 7 | |a Terrorism in literature |2 fast | |
| 650 | 7 | |a Terrorism in motion pictures |2 fast | |
| 650 | 7 | |a Terrorism on television |2 fast | |
| 647 | 7 | |a September 11 Terrorist Attacks |d (2001) |2 fast |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpXFv9XtDc43JFHK | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Petrovic, Paul, |d 1982- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjKWwBt3CWJpMX846GbXBd | |
| 758 | |i has work: |a Representing 9/11 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGk9ywG64tHftc6fGqMPFC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Representing 9/11. |d Lanham : Rowman & Littlefield, [2015] |z 9781442252677 |w (DLC) 2015007298 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2059272 |z Texto completo |
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