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Cello practice, cello performance /

Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both <span style=""font-style:italic;"">but separately. Wilson argues...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wilson, Miranda
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham, Maryland : Rowman and Littlefield, [2015]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Cello practice, cello performance /  |c Miranda Wilson. 
264 1 |a Lanham, Maryland :  |b Rowman and Littlefield,  |c [2015] 
300 |a 1 online resource (xvi, 137 pages) 
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504 |a Includes bibliographical references (pages 131-132) and index. 
505 0 |a Fundamental principles. Whole-body cello playing ; Warm-ups for the fundamentals of cello playing ; The inherent expressiveness of good intonation ; Solutions to the challenges of cello playing ; Habits for efficient practice -- Repertoire in practice and performance. Harmonic intonation in all major and minor keys ; Composing your own etudes ; A practice session on Fauré's Elégie. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
520 |a Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both <span style=""font-style:italic;"">but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. 
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