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Sounding the color line : music and race in the southern imagination /

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak thro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nunn, Erich (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : The University of Georgia Press, 2015.
Colección:New southern studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Sounding the color line :  |b music and race in the southern imagination /  |c Erich Nunn. 
260 |a London :  |b The University of Georgia Press,  |c 2015. 
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490 1 |a The New Southern Studies 
504 |a Includes bibliographical references and index. 
505 0 |a American balladry and the anxiety of ancestry -- Country music and the souls of white folk -- Plantations, prisons, and the sounds of segregation -- The new Negro looks south -- Rethinking music and race in Jean Toomer's Cane -- Music and racial violence in William Faulkner's Sanctuary -- Coda : race, region, and the politics of hip-hop authenticity. 
588 0 |a Print version record. 
520 |a Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial li. 
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600 1 0 |a Faulkner, William,  |d 1897-1962.  |t Sanctuary. 
600 1 0 |a Toomer, Jean,  |d 1894-1967.  |t Cane. 
600 1 1 |a Faulkner, William,  |d 1897-1962.  |t Sanctuary. 
600 1 1 |a Toomer, Jean,  |d 1894-1967.  |t Cane. 
630 0 7 |a Cane (Toomer, Jean)  |2 fast 
630 0 7 |a Sanctuary (Faulkner, William)  |2 fast 
650 0 |a Folk music  |z Southern States  |x History  |y 21st century. 
650 0 |a Folk music  |z Southern States  |x History  |y 20th century. 
650 0 |a Popular music  |z Southern States  |y 21st century. 
650 0 |a Popular music  |z Southern States  |y 20th century. 
650 0 |a Music and race  |z Southern States  |x History  |y 21st century. 
650 0 |a Music and race  |z Southern States  |x History  |y 20th century. 
650 6 |a Musique populaire  |z États-Unis (Sud)  |y 21e siècle. 
650 6 |a Musique populaire  |z États-Unis (Sud)  |y 20e siècle. 
650 6 |a Musique et race  |z États-Unis (Sud)  |x Histoire  |y 21e siècle. 
650 6 |a Musique et race  |z États-Unis (Sud)  |x Histoire  |y 20e siècle. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Regional Studies.  |2 bisacsh 
650 7 |a Folk music  |2 fast 
650 7 |a Music and race  |2 fast 
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651 7 |a Southern States  |2 fast 
648 7 |a 1900-2099  |2 fast 
655 7 |a History  |2 fast 
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776 0 8 |i Print version:  |a Nunn, Erich.  |t Sounding the color line.  |d Athens ; London : The University of Georgia Press, [2015]  |z 9780820347363  |w (DLC) 2014036313  |w (OCoLC)891001611 
830 0 |a New southern studies. 
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