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Underground U.S.A. : filmmaking beyond the Hollywood canon /
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position wi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, New York :
Columbia University Press,
2002.
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| Colección: | AlterImage.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Underground U.S.A. : |b filmmaking beyond the Hollywood canon / |c edited by Xavier Mendik & Steven Jay Schneider. |
| 264 | 1 | |a New York, New York : |b Columbia University Press, |c 2002. | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (256 pages) : |b illustrations, photographs | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a AlterImage | |
| 500 | |a Includes index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed November 28, 2014). | |
| 505 | 0 | |a Acknowledgements; Notes on Contributors; Foreword; Introduction; 1. 'No Worse Than You Were Before': Theory, Economy and Power in Abel Ferrara's 'The Addiction'; 2. Radley Metzger's 'Elegant Arousal': Taste, Aesthetic Distinction and Sexploitation; 3. Curtis Harrington and the Underground Roots of the Modern Horror Film; 4. 'Special Effects' in the Cutting Room; 5. Real(ist) Horror: From Execution Videos to Snuff Films; 6. A Report on Bruce Conner's 'Report'; 7. Voyeurism, Sadism and Transgression: Screen Notes and Observations on Warhol's 'Blow Job' and 'I, a Man' | |
| 505 | 8 | |a 8. 'You Bled My Mother, You Bled My Father, But You Won't Bleed Me': The Underground Trio of Melvin Van Peebles9. Doris Wishman Meets the Avant-Garde; 10. Full Throttle on the Highway to Hell: Mavericks, Machismo and Mayhem in the American Biker Movie; 11. The Ideal Cinema of Harry Smith; 12. What is the Neo-Underground and What Isn't: A First Consideration of Harmony Korine; 13. Underground America 1999; 14. Phantom Menace: Killer Fans, Consumer Activism and Digital Filmmakers; 15. Film Co-Ops: Old Soldiers from the Sixties Still Standing in Battle Against Hollywood Commercialism. | |
| 505 | 8 | |a 16. 'Gouts of Blood': The Colourful Underground Universe of Herschell Gordon Lewis17. Theory of Xenomorphosis; 18. Visions of New York: Films from the 1960s Underground; 19. A Tasteless Art: Waters, Kaufman and the Pursuit of 'Pure' Gross-Out; Notes; Index. | |
| 520 | |a Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as ""cult"" and ""exploitation"" or ""alternative"" and ""independent, "" the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the trad. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Experimental films |z United States |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Experimental films |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Mendik, Xavier, |e editor. | |
| 700 | 1 | |a Schneider, Steven Jay, |e editor. | |
| 758 | |i has work: |a Underground U.S.A (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFMh377jGWJT33yXBxghBK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Underground U.S.A. : filmmaking beyond the Hollywood canon. |d New York, New York : Columbia University Press, ©2002 |h xvii, 235 pages |k AlterImage. |z 9780231162791 |
| 830 | 0 | |a AlterImage. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=909592 |z Texto completo |
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