|
|
|
|
LEADER |
00000cam a2200000Mi 4500 |
001 |
EBOOKCENTRAL_ocn908078653 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
150509s1995 enk o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d ZCU
|d MERUC
|d ICG
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9780195357431
|
020 |
|
|
|a 0195357434
|
029 |
1 |
|
|a AU@
|b 000056086303
|
029 |
1 |
|
|a DEBBG
|b BV044178099
|
035 |
|
|
|a (OCoLC)908078653
|
050 |
|
4 |
|a ML457
|
050 |
|
4 |
|a ML457.T37 1995
|
082 |
0 |
4 |
|a 781.4/3
|a 781.43
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Taruskin, Richard.
|
245 |
1 |
0 |
|a Text and Act :
|b Essays on Music and Performance.
|
260 |
|
|
|a Oxford :
|b Oxford University Press, USA,
|c 1995.
|
300 |
|
|
|a 1 online resource (624 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover page; Title page; Copyright page; Contents; Author's Note; INTRODUCTION; Last Thoughts First: Wherein the Author Gently Replies to a Few of His Critics and Takes Tender Leave of the Topic; How Works Work; IN THEORY; 1: On Letting the Music Speak for Itself; Postscript, 1994; 2: The Limits of Authenticity: A Contribution; Postscript, 1994; 3: Down with the Fence; 4: The Pastness of the Present and the Presence of the Past; I; II; III; IV; 5: What-or Where-Is the Original?; 6: The Modern Sound of Early Music; 7: Tradition and Authority; IN PRACTICE; BEETHOVEN; 8: The New Antiquity; II.
|
500 |
|
|
|a Postscript, 1994Index.
|
520 |
|
|
|a Over the last dozen years, the writings of Richard Taruskin have transformed the debate about ""early music"" and ""authenticity."" Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical ve.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Performance practice (Music)
|
650 |
|
0 |
|a Style, Musical.
|
650 |
|
6 |
|a Pratique de l'exécution (Musique)
|
650 |
|
6 |
|a Style musical.
|
650 |
|
7 |
|a Performance practice (Music)
|2 fast
|
650 |
|
7 |
|a Style, Musical
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Taruskin, Richard.
|t Text and Act : Essays on Music and Performance.
|d Oxford : Oxford University Press, USA, ©1995
|z 9780195094589
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1591191
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL1591191
|
994 |
|
|
|a 92
|b IZTAP
|