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Plastic reality : special effects, technology, and the emergence of 1970s blockbuster aesthetics /

Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classical studio era's early approaches to special effects, she follows the industry's slow b...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Film and Culture Series
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York [New York] ; Chichester, England : Columbia University Press, 2015.
Colección:Film and culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Plastic reality :  |b special effects, technology, and the emergence of 1970s blockbuster aesthetics /  |c Julie A. Turnock. 
264 1 |a New York [New York] ;  |a Chichester, England :  |b Columbia University Press,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (383 pages) :  |b illustrations 
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490 1 |a Film and Culture 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover ; Series Page; Title Page; Copyright; Dedication; Contents ; List of Illustrations; Acknowledgments; Introduction; Part I: Before 1977; 1. Optical Animation: Special Effects Compositing Up to 1977; 2. Before Industrial Light and Magic: The Independent Hollywood Special Effects Business, 1968-1975; Part II: Circa 1977: Star Wars and Close Encounters of the Third Kind; 3. The Expanded Blockbuster: The Auteurist Aesthetics of 1970s Special Effects-Driven Filmmaking; 4. "The Buck Stops at Opticals": Special Effects Technology on Star Wars and Close Encounters of the Third Kind. 
505 8 |a 5. A More Plastic Reality: The Design and Conception of Star Wars and West Coast Experimental Filmmaking6. "More Philosopical Grey Matter": The Production and Aesthetic of Close Encounters of the Third Kind; Part III: The 1980s and Beyond; 7. Optical Special Effects into the 1980s: A Well-Oiled Machine; 8. "Not-too-Realistic" and Intensified Realistic Approaches in the 1980s: Traditional Stop Motion and Showscan; Conclusion: World-Building and the Legacy of 1970s Special Effects in Contemporary Cinema; Notes; Bibliography; Index; Series List. 
520 |a Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classical studio era's early approaches to special effects, she follows the industry's slow build toward the significant advances of the late 1960s and early 1970s, which set the stage for the groundbreaking achievements of 1977. Turnock analyzes the far-reaching impact of the convincing, absorbing, and seemingly unlimited fantasy environments of that year's iconic films, dedicating a major section of h. 
546 |a English. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Blockbusters (Motion pictures) 
650 0 |a Cinematography  |x Special effects. 
650 6 |a Superproductions. 
650 6 |a Cinéma  |x Effets spéciaux. 
650 7 |a Blockbusters (Motion pictures)  |2 fast 
650 7 |a Cinematography  |x Special effects  |2 fast 
776 0 8 |i 9781315741758 (e-book)  |a Turnock, Julie A.  |t Plastic reality : special effects, technology, and the emergence of 1970s blockbuster aesthetics.  |d New York, [New York] ; Chichester, England : Columbia University Press, ©2015  |h xiii, 362 pages  |k Film and culture.  |z 9780231163538 
830 0 |a Film and culture. 
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