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Fénelon in the Enlightenment : traditions, adaptations, and variations /

François Salignac de la Mothe-Fénelon, Archbishop of Cambrai (1651-1715) exerted a considerable influence on the development and spread of the Enlightenment. His most famous work, the Homeric novel Les Aventures de Télémaque, Fils d'Ulysse (1699), composed for the education of his pupil Duc...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Schmitt-Maass, Christoph (Autor, Editor ), Stockhorst, Stefanie, 1974- (Autor, Editor ), Ahn, Doohwan (Autor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; New York, NY : Rodopi, [2014]
Colección:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 178.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Fénelon in the Enlightenment :  |b traditions, adaptations, and variations /  |c with a preface by Jacques Le Brun ; edited by Christoph Schmitt-Maaß, Stefanie Stockhorst and Doohwan Ahn. 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Title Page; Copyright Page; Table of Contents; Préface : Une réception paradoxale; Introduction: Early Modernism, Catholicism and the Role of theSubject -- Fénelon as a Representative of the Age of Enlightenment; And if Voltaire Ceased to be Voltaire? The Influence of Quietism on Voltaire's Later Works; Rousseau's Partial Reception of Fénelon: From the Corruptions of Luxury to the Contradictions of Society; Fénelon's Cuckoo: Andrew Michael Ramsay and the Archbishop Fénelon; From Idomeneus to Protesilaus:Fénelon in Early Hanoverian Britain. 
505 8 |a Prendre modèle sur Télémaque: The Fénelonian Underpinnings of'Cultural Policy' at the Court of Philip V of SpainQuietistic Pietists? The Reception of Fénelonin Central Germany c. 1700; Fénelon and Classical America; The Adventures of Telemachus in the Luso-Brazilian World; The Ottoman Reception of Fénelon's Télémaque; Telemachus -- Dositej Obradović's Last Wish. The Serbian Reception of Fénelon; Polish Translations of Fénelon'sThe Adventures of Telemachus in the 18th and early 19th Century; Painting Telemachus in the French Regency. 
505 8 |a The Rejected Maxim: Images of Fénelon in Rome 1699and by Catholic Reformers c. 1800Collecting Fénelon: Images, Imaginations, and Collecting Portraits; Fénelon's Operatic Novel: Audiovisual Topoi in Télémaqueand their Representation in Opera; Biographical Notes; Index. 
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