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Fiery cinema : the emergence of an affective medium in China, 1915-1945 /
Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame per...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
[2015]
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| Colección: | Quadrant Book
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bao, Weihong, |d 1969- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjtwVBw6cbPxbdTHHwJ343 | |
| 245 | 1 | 0 | |a Fiery cinema : |b the emergence of an affective medium in China, 1915-1945 / |c Weihong Bao. |
| 264 | 1 | |a Minneapolis, MN : |b University of Minnesota Press, |c [2015] | |
| 300 | |a 1 online resource (479 pages) | ||
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| 347 | |a data file | ||
| 380 | |a Filmography | ||
| 490 | 0 | |a Quadrant Book | |
| 500 | |a "Quadrant book." | ||
| 504 | |a Includes bibliographical references, filmography and index. | ||
| 505 | 0 | |a Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In 'Fiery Cinema', Bao traces the permutations of this affective medium from the early through the mid-20th century, exploring its role in aesthetics, politics, and social institutions. | |
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| 650 | 0 | |a Motion pictures |z China |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |z Chine |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a China |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Fiery cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGbgkp3DWVtcx8cCJxPgmm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bao, Weihong, 1969- |t Fiery cinema |z 9780816681334 |w (DLC) 2014019917 |w (OCoLC)888400749 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2002091 |z Texto completo |
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