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Music in America's Cold War diplomacy /

"During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical eve...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fosler-Lussier, Danielle, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Colección:California studies in 20th-century music ; 18.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fosler-Lussier, Danielle,  |d 1969-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjJTbt3tCgMmVqg6CJ9PXq 
245 1 0 |a Music in America's Cold War diplomacy /  |c Danielle Fosler-Lussier. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a California studies in 20th-century music ;  |v no. 18 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : instruments of diplomacy -- Classical music and the mediation of prestige -- Classical music as development aid -- Jazz in the cultural presentations program -- African American ambassadors abroad and at home -- Portraying America's religious heritage -- The double-edged diplomacy of popular music -- Music, media, and cultural relations between the United States and the Soviet Union -- Conclusion : music, mediated diplomacy, and globalization. 
520 |a "During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical events, for the practice of musical diplomacy on the ground sometimes differed substantially from what the department's planners envisioned. Performances of music in many styles--classical, rock 'n' roll, folk, blues, and jazz--were meant to compete with traveling Soviet and Chinese artists, enhancing the reputation of American culture. These concerts offered large audiences evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Most important, these performances also built meaningful connections with people in other lands. Through personal contacts and the media, musical diplomacy created subtle musical, social, and political relationships on a global scale. Although these tours were sometimes conceived as propaganda ventures, their most important function was the building of imagined and real relationships, which constitute the essence of soft power"--Provided by publisher 
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610 1 0 |a United States.  |b Department of State.  |b Cultural Presentations Program  |x History  |y 20th century. 
610 1 7 |a United States.  |b Department of State.  |b Cultural Presentations Program  |2 fast 
650 0 |a Music in intercultural communication  |z United States  |x History  |y 20th century. 
650 0 |a Arts and diplomacy  |z United States  |x History  |y 20th century. 
650 0 |a Music and globalization  |z United States  |x History  |y 20th century. 
651 0 |a United States  |x Cultural policy  |x History  |y 20th century. 
651 0 |a United States  |x Foreign relations  |z Communist countries  |x History  |y 20th century. 
651 0 |a Communist countries  |x Foreign relations  |z United States  |x History  |y 20th century. 
650 6 |a Musique en communication interculturelle  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Arts et diplomatie  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Musique et mondialisation  |z États-Unis  |x Histoire  |y 20e siècle. 
651 6 |a États-Unis  |x Relations extérieures  |z Pays socialistes  |x Histoire  |y 20e siècle. 
651 6 |a Pays socialistes  |x Relations extérieures  |z États-Unis  |x Histoire  |y 20e siècle. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a Diplomatic relations  |2 fast 
650 7 |a Arts and diplomacy  |2 fast 
650 7 |a Cultural policy  |2 fast 
650 7 |a Music and globalization  |2 fast 
650 7 |a Music in intercultural communication  |2 fast 
651 7 |a Communist countries  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
648 7 |a 1900-1999  |2 fast 
653 |a 20th century composers. 
653 |a 20th century music. 
653 |a accessible music. 
653 |a bela bartok. 
653 |a bela viktor janos bartok. 
653 |a career. 
653 |a cold war tensions. 
653 |a cold war. 
653 |a comparative musicology. 
653 |a ethnomusicology. 
653 |a folk music. 
653 |a hermann scherchen. 
653 |a hungarian composer. 
653 |a international politics. 
653 |a iron curtain. 
653 |a modernism. 
653 |a music. 
653 |a musical legacy. 
653 |a musical style. 
653 |a musicians. 
653 |a performing arts. 
653 |a pianist. 
653 |a pierre boulez. 
653 |a political action. 
653 |a political pressure. 
653 |a politics. 
653 |a radio programs. 
653 |a socialist realism. 
653 |a socialist state. 
653 |a theodor adorno. 
653 |a western composers. 
655 7 |a History  |2 fast 
758 |i has work:  |a Music in America's Cold War diplomacy (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGW7TMGXDGbj77xrP4DRmm  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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830 0 |a California studies in 20th-century music ;  |v 18. 
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