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Die gestaltungsprincipien michelangelos besonders in ihrem verhaltnis zu denen raffaels.
In 1920, Erwin Panofsky, one of the most influential art historians of the 20th century, submitted his habilitation thesis on Michelangelo. In following years, Panofsky developed the manuscript further, yet never published it. Following his emigration to the US in the early 1930s, it was considered...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
E-Content Generic Vendor,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Erwin Panofsky. | |
| 245 | 1 | 0 | |a Die gestaltungsprincipien michelangelos besonders in ihrem verhaltnis zu denen raffaels. |
| 260 | |a [Place of publication not identified] : |b E-Content Generic Vendor, |c 2014. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a Inhaltsübersicht; Einführung der Herausgeberin; Vorwort; Dispositionen; Einleitung; Erster Teil: Sachgeschichtliche Voraussetzungen; 1. Kapitel: Raffael und die Werke Michelangelos; 2. Kapitel: Michelangelo und die Werke anderer Meister; Zweiter Teil: Stilkritische Folgerungen; Erster Abschnitt: Die künstlerische Darstellung der Einzelgestalt; 1. Kapitel: Die Körpergestaltung in der klassischen Kunst, insbesondere bei Raffael (Das Princip der centrischen Entfaltung). | |
| 505 | 8 | |a 2. Kapitel: Die Körpergestaltung bei Michelangelo (Das Princip der centrischen Entfaltung im Kampf mit dem Princip der kubischen Bindung)3. Kapitel: Die Organisation der Form in der Ebene Gegenprobe. Die "Einansichtigkeit" der michelangelesken Skulpturwerke; 4. Kapitel: Die Auffassung des Menschen hinsichtlich seiner psychischen Struktur; Bibliographie, rekonstruiert von Gerda Panofsky; Anhang: Notizen zu den Fassadenentwürfen für S. Lorenzo, Florenz; Register; Faksimile. | |
| 520 | |a In 1920, Erwin Panofsky, one of the most influential art historians of the 20th century, submitted his habilitation thesis on Michelangelo. In following years, Panofsky developed the manuscript further, yet never published it. Following his emigration to the US in the early 1930s, it was considered lost, but was later rediscovered in Munich, and subsequently edited by Panofsky's widow. This edition includes a facsimile of the original manuscript. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 0 | 0 | |a Michelangelo Buonarroti, |d 1475-1564. |
| 600 | 0 | 0 | |a Raphael, |d 1483-1520. |
| 600 | 0 | 7 | |a Michelangelo Buonarroti, |d 1475-1564 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwRPJkcmTBv6t9tpxQH4q |
| 600 | 0 | 7 | |a Raphael, |d 1483-1520 |2 fast |
| 650 | 0 | |a Art criticism |x History |y 20th century. | |
| 650 | 6 | |a Critique d'art |x Histoire |y 20e siècle. | |
| 650 | 7 | |a Art criticism |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Michelangelo's design principles, particularly in relation to those of Raphael (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG9jWFFDwkfQ4fpX3YjHRX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Panofsky, Erwin. |t Gestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels : Aus dem Nachlass. |d Berlin/Boston : De Gruyter, ©2014 |z 9783110310382 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1809900 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1809900 | ||
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| 938 | |a YBP Library Services |b YANK |n 13157064 | ||
| 994 | |a 92 |b IZTAP | ||