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|a UAMI
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100 |
1 |
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|a Turner, Peter,
|d 1952-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJjtbTQdWYmJpYrc8B6kDq
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245 |
1 |
4 |
|a The Blair Witch Project /
|c Peter Turner.
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264 |
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|a Leighton, Buzzard :
|b Auteur,
|c 2014.
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300 |
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|a 1 online resource (97 pages)
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|a text
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490 |
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|a Devil's advocates
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|a Includes bibliographical references.
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|a Print version record.
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|a Few films have had the influence and impact of The Blair Witch Project (1999). Its arrival was a horror cinema palette cleanser after a decade of serial killers and postmodern intertextuality, a bare bones 'found footage' trend setter. In this Devil's Advocate, Peter Turner tells the story of the film from his conception and production then provides a unique analysis of the techniques used, their appeal to audiences and the themes that helped make the film such an international hit, including the pionerring internet marketing.
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|a 1. The Making of The Blair Witch Project -- 2. The Aesthetics of Artificial Authenticity -- 3. Who Am I? Positioning the Spectator and Identification -- 4. Fear of the Dark: Witches, Women and the Woods -- 5. Marketing, Reception and Legacy.
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590 |
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|a JSTOR
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|a ProQuest Ebook Central
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630 |
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|a Blair Witch Project (Motion picture)
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|a Blair Witch Project (Motion picture)
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|a Horror films
|z United States.
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|a Films d'horreur
|z États-Unis.
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|a PERFORMING ARTS
|x Reference.
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|a Horror films
|2 fast
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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758 |
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|i has work:
|a The Blair Witch project (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFxqHF68GptQFyhHdpYhXm
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
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|i Print version:
|a Turner, Peter.
|t Blair Witch Project.
|d New York : Columbia University Press, ©2015
|z 9781906733841
|
830 |
|
0 |
|a Devil's advocates.
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1866954
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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