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Color and empathy : essays on two aspects of film /

This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brinckmann, Christine, 1937- (Autor)
Otros Autores: Korpershoek, Kok (Diseñador de portada)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam, Netherlands : Amsterdam University Press, 2014.
Colección:Film culture in transition.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brinckmann, Christine,  |d 1937-  |e author. 
245 1 0 |a Color and empathy :  |b essays on two aspects of film /  |c Christine N. Brinckmann ; cover design, Kok Korpershoek. 
264 1 |a Amsterdam, Netherlands :  |b Amsterdam University Press,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (270 pages) :  |b illustrations (some color), photographs 
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490 1 |a Film Culture in Transition 
500 |a Includes indexes. 
588 0 |a Online resource; title from PDF title page (ebrary, viewed January 17, 2015). 
520 |a This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film. 
504 |a Includes bibliographical references and indexes. 
505 0 0 |t Front matter --  |t Table of Contents --  |t Preface /  |r Brinckman, Christine N. --  |t Cinematic Color as Likeness and as Artifact --  |t Chords of Color --  |t The Tension of Colors in Colorized Silent Films --  |t Structural Film, Structuring Color: Jenny Okun's Still Life --  |t Desert Fury: A Film Noir in Color --  |t The Work of the Camera: Beau travail --  |t Empathy with the Animal --  |t Motor Mimicry in Hitchcock --  |t Abstraction and Empathy in the Early German Avant-garde --  |t The Role of Empathy in Documentary Film: A Case Study --  |t Genre Conflict in Tracey Emin's Top Spot --  |t Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate --  |t Casta Diva: An Empathetic Reading --  |t Publication Data --  |t Index of Films --  |t Index of Subjects --  |t Film Culture in Transition 
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650 0 |a Motion pictures. 
650 6 |a Cinéma. 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a ART  |x General.  |2 bisacsh 
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650 7 |a Motion pictures  |2 fast 
653 |a Film poetics. 
653 |a colour in film. 
653 |a documentary film. 
653 |a historical stylistics. 
653 |a viewer response. 
700 1 |a Korpershoek, Kok,  |e cover designer. 
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830 0 |a Film culture in transition. 
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