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Reel photos : balancing art and truth in contemporary film /
"Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can a do lie. As an object in film, a photograph's meaning and function can be even more malleable and deceiving, as new d...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Lanham :
Rowman and Littlefield,
[2015]
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- The loss of photographic objectivity: Anonioni's Blowup
- The photograph in the inverted noir film: love crimes
- Photographic evidence and detecting truth
- Alice in furs
- Media hype and Mona Lisa
- The portrait photographer: Pecker, The governess and closer
- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture
- Strange loops dystopian films from Invisible adversaries to Inception
- Over the edge? the photograph and The circuit
- Adorno, Benjamin and hope for the photograph, In the good night
- Filmography.