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EBOOKCENTRAL_ocn904281336 |
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OCoLC |
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20240329122006.0 |
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141006s2015 mdua obq 001 0 eng |
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|a 2021677009
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|a DLC
|b eng
|e rda
|e pn
|c DLC
|d E7B
|d EBLCP
|d YDXCP
|d TEFOD
|d IDB
|d UAB
|d INT
|d UKAHL
|d N$T
|d OCLCO
|d OCLCQ
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9781442245242
|q (ebook)
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|a 1442245247
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|z 9781442245235
|q (hardback ;
|q alk. paper)
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|z 1442245239
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|a (OCoLC)904281336
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037 |
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|a 6679346F-C534-488E-B981-ABF094E76846
|b OverDrive, Inc.
|n http://www.overdrive.com
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050 |
0 |
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|a PN1995.9.P43
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072 |
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|a PER
|x 009000
|2 bisacsh
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|a 791.43/657
|2 23
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|a UAMI
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100 |
1 |
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|a Sterba, Wendy,
|d 1955-
|e author.
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245 |
1 |
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|a Reel photos :
|b balancing art and truth in contemporary film /
|c Wendy Sterba.
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264 |
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|a Lanham :
|b Rowman and Littlefield,
|c [2015]
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300 |
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|a 1 online resource (xviii, 203 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 191-196) and index.
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|a Includes filmography (pages 187-190).
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|a The loss of photographic objectivity: Anonioni's Blowup -- The photograph in the inverted noir film: love crimes -- Photographic evidence and detecting truth -- Alice in furs -- Media hype and Mona Lisa -- The portrait photographer: Pecker, The governess and closer -- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture -- Strange loops dystopian films from Invisible adversaries to Inception -- Over the edge? the photograph and The circuit -- Adorno, Benjamin and hope for the photograph, In the good night -- Filmography.
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588 |
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a "Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can a do lie. As an object in film, a photograph's meaning and function can be even more malleable and deceiving, as new developments in technology are altering how we perceive reality. In Reel Photos: Balancing Art and Truth in Contemporary Film, Wendy Sterba examines the use of photographs in cinema to explore issues of objectivity, subjectivity, fabrication, and fact."--Cover
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Photography in motion pictures.
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650 |
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6 |
|a Photographie au cinéma.
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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|a Photography in motion pictures
|2 fast
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758 |
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|i has work:
|a Reel photos (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH89vTQHvQ9YDrM7CrMbgq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|t Reel photos.
|d Lanham : Rowman & Littlefield, [2015]
|z 9781442245235
|w (DLC) 2014037151
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1974883
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH28301399
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL1974883
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938 |
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|a ebrary
|b EBRY
|n ebr11025974
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|a EBSCOhost
|b EBSC
|n 960186
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|a YBP Library Services
|b YANK
|n 12321738
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994 |
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|a 92
|b IZTAP
|