The re-imagined text : Shakespeare, adaptation, & eighteenth-century literary theory /

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Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the rewriting and restructuring of Shakespeare's pl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Marsden, Jean I. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, Kentucky : The University Press of Kentucky, 1995.
Temas:
Shakespeare, William, > 1564-1616 > Criticism and interpretation > History > 18th century.
Shakespeare, William, > 1564-1616 > Adaptations.
Shakespeare, William, > 1564-1616
1700-1799
English drama > 18th century > History and criticism > Theory, etc.
English drama > Adaptations > History and criticism.
Criticism > Great Britain > History > 18th century.
Theater > Great Britain > History > 18th century.
Literary form > History > 18th century.
Théâtre anglais > 18e siècle > Histoire et critique > Théorie, etc.
Critique > Grande-Bretagne > Histoire > 18e siècle.
Théâtre > Grande-Bretagne > Histoire > 18e siècle.
Genres littéraires > Histoire > 18e siècle.
DRAMA > English, Irish, Scottish, Welsh.
DRAMA > Shakespeare.
Criticism
English drama > Adaptations
Literary form
Theater
Great Britain
Criticism > History > 18th century > Great Britain
English drama > Adaptations > History and criticism
English drama > History and criticism > Theory, etc > 18th century
Geschichte > 1660-1777
Literary form > History > 18th century
Shakespeare, William > Adaptations
Shakespeare, William > Criticism and interpretation > History > 18th century
Theater > History > 18th century > Great Britain
Adaptations
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo

MARC

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100 1 |a Marsden, Jean I.,  |e author. 
245 1 4 |a The re-imagined text :  |b Shakespeare, adaptation, & eighteenth-century literary theory /  |c Jean I. Marsden. 
264 1 |a Lexington, Kentucky :  |b The University Press of Kentucky,  |c 1995. 
264 4 |c ©1995 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Part I: The Re-Imagined Text; 1 Radical Adaptation; 2 The Beginnings of Shakespeare Criticism; Part II: Refined from the Dross; 3 Adaptation in Decline; 4 Criticism at Mid-Century; 5 The Search for a Genuine Text; Conclusion; Appendix; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. 
520 |a Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's ""audacious"" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwri 
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