Cargando…

Design and the question of history /

"Design and the Question of History offers a new perspective on the historical significance of design, showing how design is an agent of historical change rather than a single aspect. Despite a historical sensibility being essential in making critical and directional choices, Design History pre...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Fry, Tony (Autor), Dilnot, Clive (Autor), Stewart, Susan C. (Susan Catherine Huston) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, England ; New York : Bloomsbury Academic, 2015.
Colección:Design, history, futures.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover page
  • Halftitle page
  • Series page
  • Title page
  • Copyright page
  • CONTENTS
  • PREFACE, PRE-FACE ESSENTIAL READING
  • ESSAY ONE WHITHER DESIGN/WHETHER HISTORY
  • INTRODUCTION
  • On design and history
  • Design history and history
  • History totalized
  • On forgetting history
  • History and humanism
  • Ontology and history
  • Now
  • Futuring education: Designand history
  • Appropriation and the new university
  • 1 REMEMBERINGS AND DISMEMBERINGS
  • History: Points of difference in a world of fragments
  • Out of historicity: Casting back.
  • History without historians: Fundamental thinking
  • Past and future: A question of imperatives
  • 2 ANOTHER HISTORY, ANOTHER DESIGNING
  • Seeing and the textual lens
  • Reading, writing and speaking history
  • What's in a name? "TheHolocaust"-a case study
  • Design and the inhuman
  • History, ambiguity, event-who speaks, what can be spoken, silence
  • Witnessing the witness
  • Dachau and Mauthausenwork camp 49
  • On considering Theresienstadt
  • An outline historical view of the camp
  • Auschwitz: Writing after the surplus of the excess
  • 3 DESIGN IN THE MAELSTROM OF TIME.
  • World and the question of world history
  • The world of modernity
  • The time after the modern
  • Ethics: An opening and an ending
  • NOTES
  • Introduction
  • 1. Rememberings and dismemberings
  • 2. Another history, another designing
  • 3. Design in the maelstrom of time
  • ESSAY TWO HISTORY, DESIGN, FUTURES: CONTENDING WITH WHAT WE HAVE MADE
  • 1 OUR HISTORY, OUR UNHAPPINESS
  • I The structure of existence is undergoing a fundamental change
  • The necessity of history
  • Reopening towards the future
  • II The character of our unhappiness
  • Symptoms of unhappiness in design and architecture.
  • Rescuing measure, rescuing the future
  • 2 THE ARTIFICIAL AND WHAT IT OPENS TOWARDS
  • I Thinking the artificial
  • The artificial as a qualitatively new historical condition
  • II What the artifi cial opens towards/overcoming destructiveness
  • Issue 1-No law, the propositional, the possible
  • Issue 2-Mediation, negotiation, incommensurability
  • Issue 3-Surpassing technology
  • Issue 4-The question of the drive
  • Issue 5-Overcoming the proscription of possibility
  • Issue 6-The situation as the site of ethics, design and politics
  • 3 ACTING IN REGARD TO HISTORY
  • I The problem of how to act.
  • II A Berlin Moment
  • Experiencing the event
  • Writing history: What an event does
  • In lieu of a conclusion
  • NOTES
  • 1. Our history, our unhappiness
  • 2. The artificial and whatit opens towards
  • 3. Acting in regard to history
  • ESSAY THREE AND SO TO ANOTHER SETTING ...
  • 1 ON CARE ANDEDUCATION
  • Preliminary clarifications
  • Performative associations 1: Hold
  • Performative associations 2: Care
  • Performative associations 3: Ontological design
  • Learning
  • Performative association, character and design history
  • NOTES
  • INDEX.