Cargando…
Design and the question of history /
"Design and the Question of History offers a new perspective on the historical significance of design, showing how design is an agent of historical change rather than a single aspect. Despite a historical sensibility being essential in making critical and directional choices, Design History pre...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, England ; New York :
Bloomsbury Academic,
2015.
|
| Colección: | Design, history, futures.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover page
- Halftitle page
- Series page
- Title page
- Copyright page
- CONTENTS
- PREFACE, PRE-FACE ESSENTIAL READING
- ESSAY ONE WHITHER DESIGN/WHETHER HISTORY
- INTRODUCTION
- On design and history
- Design history and history
- History totalized
- On forgetting history
- History and humanism
- Ontology and history
- Now
- Futuring education: Designand history
- Appropriation and the new university
- 1 REMEMBERINGS AND DISMEMBERINGS
- History: Points of difference in a world of fragments
- Out of historicity: Casting back.
- History without historians: Fundamental thinking
- Past and future: A question of imperatives
- 2 ANOTHER HISTORY, ANOTHER DESIGNING
- Seeing and the textual lens
- Reading, writing and speaking history
- What's in a name? "TheHolocaust"-a case study
- Design and the inhuman
- History, ambiguity, event-who speaks, what can be spoken, silence
- Witnessing the witness
- Dachau and Mauthausenwork camp 49
- On considering Theresienstadt
- An outline historical view of the camp
- Auschwitz: Writing after the surplus of the excess
- 3 DESIGN IN THE MAELSTROM OF TIME.
- World and the question of world history
- The world of modernity
- The time after the modern
- Ethics: An opening and an ending
- NOTES
- Introduction
- 1. Rememberings and dismemberings
- 2. Another history, another designing
- 3. Design in the maelstrom of time
- ESSAY TWO HISTORY, DESIGN, FUTURES: CONTENDING WITH WHAT WE HAVE MADE
- 1 OUR HISTORY, OUR UNHAPPINESS
- I The structure of existence is undergoing a fundamental change
- The necessity of history
- Reopening towards the future
- II The character of our unhappiness
- Symptoms of unhappiness in design and architecture.
- Rescuing measure, rescuing the future
- 2 THE ARTIFICIAL AND WHAT IT OPENS TOWARDS
- I Thinking the artificial
- The artificial as a qualitatively new historical condition
- II What the artifi cial opens towards/overcoming destructiveness
- Issue 1-No law, the propositional, the possible
- Issue 2-Mediation, negotiation, incommensurability
- Issue 3-Surpassing technology
- Issue 4-The question of the drive
- Issue 5-Overcoming the proscription of possibility
- Issue 6-The situation as the site of ethics, design and politics
- 3 ACTING IN REGARD TO HISTORY
- I The problem of how to act.
- II A Berlin Moment
- Experiencing the event
- Writing history: What an event does
- In lieu of a conclusion
- NOTES
- 1. Our history, our unhappiness
- 2. The artificial and whatit opens towards
- 3. Acting in regard to history
- ESSAY THREE AND SO TO ANOTHER SETTING ...
- 1 ON CARE ANDEDUCATION
- Preliminary clarifications
- Performative associations 1: Hold
- Performative associations 2: Care
- Performative associations 3: Ontological design
- Learning
- Performative association, character and design history
- NOTES
- INDEX.