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Design and the question of history /

"Design and the Question of History offers a new perspective on the historical significance of design, showing how design is an agent of historical change rather than a single aspect. Despite a historical sensibility being essential in making critical and directional choices, Design History pre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Fry, Tony (Autor), Dilnot, Clive (Autor), Stewart, Susan C. (Susan Catherine Huston) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, England ; New York : Bloomsbury Academic, 2015.
Colección:Design, history, futures.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Design and the question of history /  |c Tony Fry, Clive Dilnot, Susan C. Stewart. 
264 1 |a London, England ;  |a New York :  |b Bloomsbury Academic,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (321 pages) 
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490 1 |a Design, history, futures 
500 |a Includes index. 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- PREFACE, PRE-FACE ESSENTIAL READING -- ESSAY ONE WHITHER DESIGN/WHETHER HISTORY -- INTRODUCTION -- On design and history -- Design history and history -- History totalized -- On forgetting history -- History and humanism -- Ontology and history -- Now -- Futuring education: Designand history -- Appropriation and the new university -- 1 REMEMBERINGS AND DISMEMBERINGS -- History: Points of difference in a world of fragments -- Out of historicity: Casting back. 
505 8 |a History without historians: Fundamental thinking -- Past and future: A question of imperatives -- 2 ANOTHER HISTORY, ANOTHER DESIGNING -- Seeing and the textual lens -- Reading, writing and speaking history -- What's in a name? "TheHolocaust"-a case study -- Design and the inhuman -- History, ambiguity, event-who speaks, what can be spoken, silence -- Witnessing the witness -- Dachau and Mauthausenwork camp 49 -- On considering Theresienstadt -- An outline historical view of the camp -- Auschwitz: Writing after the surplus of the excess -- 3 DESIGN IN THE MAELSTROM OF TIME. 
505 8 |a World and the question of world history -- The world of modernity -- The time after the modern -- Ethics: An opening and an ending -- NOTES -- Introduction -- 1. Rememberings and dismemberings -- 2. Another history, another designing -- 3. Design in the maelstrom of time -- ESSAY TWO HISTORY, DESIGN, FUTURES: CONTENDING WITH WHAT WE HAVE MADE -- 1 OUR HISTORY, OUR UNHAPPINESS -- I The structure of existence is undergoing a fundamental change -- The necessity of history -- Reopening towards the future -- II The character of our unhappiness -- Symptoms of unhappiness in design and architecture. 
505 8 |a Rescuing measure, rescuing the future -- 2 THE ARTIFICIAL AND WHAT IT OPENS TOWARDS -- I Thinking the artificial -- The artificial as a qualitatively new historical condition -- II What the artifi cial opens towards/overcoming destructiveness -- Issue 1-No law, the propositional, the possible -- Issue 2-Mediation, negotiation, incommensurability -- Issue 3-Surpassing technology -- Issue 4-The question of the drive -- Issue 5-Overcoming the proscription of possibility -- Issue 6-The situation as the site of ethics, design and politics -- 3 ACTING IN REGARD TO HISTORY -- I The problem of how to act. 
505 8 |a II A Berlin Moment -- Experiencing the event -- Writing history: What an event does -- In lieu of a conclusion -- NOTES -- 1. Our history, our unhappiness -- 2. The artificial and whatit opens towards -- 3. Acting in regard to history -- ESSAY THREE AND SO TO ANOTHER SETTING ... -- 1 ON CARE ANDEDUCATION -- Preliminary clarifications -- Performative associations 1: Hold -- Performative associations 2: Care -- Performative associations 3: Ontological design -- Learning -- Performative association, character and design history -- NOTES -- INDEX. 
520 |a "Design and the Question of History offers a new perspective on the historical significance of design, showing how design is an agent of historical change rather than a single aspect. Despite a historical sensibility being essential in making critical and directional choices, Design History presents an extremely selective view, which cannot deliver the historical knowledge to sufficiently and sensitively inform designers and design thinkers' practice. Focusing on how the relationship between design and history is understood and presented, this book uses a methodological approach to address this problem. The book covers the issue of history and how design in history needs to be understood by recognising that design is always historically embedded in a relational context; the efficacy of Design History as a sub-discipline within design; and the delivery of a more substantial historical sensibility to emergent designers, identifying the pedagogic problems it presents and discussing the agency of such knowledge in practice. This book is the flagship of the Design, History & Futures series, edited by Tony Fry, Lisa Norton and Anne-Marie Willis."--  |c Provided by publisher 
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