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The lively arts of the London stage, 1675-1725 /

Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lowerre, Kathryn (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Farnham, Surrey, England ; Burlington, VT : Ashgate, [2014]
Colección:Performance in the long eighteenth century.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The lively arts of the London stage, 1675-1725 /  |c edited by Kathryn Lowerre. 
264 1 |a Farnham, Surrey, England ;  |a Burlington, VT :  |b Ashgate,  |c [2014] 
300 |a 1 online resource (xv, 306 pages .) 
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490 1 |a Performance in the long eighteenth century : studies in theatre, music, dance 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts. 
505 8 |a 6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write. 
505 8 |a Or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ... '?: Signature Songs as Inter-Theatrical References; Bibliography; Index. 
520 |a Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world. 
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650 0 |a Theater  |z England  |z London  |x History  |y 17th century. 
650 0 |a Theater  |z England  |z London  |x History  |y 18th century. 
650 0 |a Musical theater  |z England  |z London  |x History  |y 17th century. 
650 0 |a Musical theater  |z England  |z London  |x History  |y 18th century. 
650 6 |a Théâtre  |z Angleterre  |z Londres  |x Histoire  |y 17e siècle. 
650 6 |a Théâtre  |z Angleterre  |z Londres  |x Histoire  |y 18e siècle. 
650 6 |a Théâtre musical  |z Angleterre  |z Londres  |x Histoire  |y 17e siècle. 
650 6 |a Théâtre musical  |z Angleterre  |z Londres  |x Histoire  |y 18e siècle. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 7 |a Musical theater  |2 fast 
650 7 |a Theater  |2 fast 
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