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The Broadway song : a singer's guide /

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clark, Mark Ross, 1951- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York City : Oxford University Press, [2015]
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; The Broadway Song: A Singer's Guide; Copyright; Dedication; Contents; Foreword; Acknowledgments; Introduction: How to Use the Book; Part One: Soprano/High Mezzo; Falling in Love with Love; Waitin' for My Dearie; If I Were a Bell; I Have to Tell You; Somebody, Somewhere; Warm All Over; My White Knight; Love, Look Away; When Did I Fall in Love?; Ice Cream; Far from the Home I Love; What Makes Me Love Him?; Moonfall; Another Suitcase in Another Hall; It Hurts to Be Strong; Anytime (I Am There); Some Things Are Meant to Be; The Light in the Piazza; Will You?; Part two: Mezzo-Alto. 
505 8 |a Anything GoesSo Far; An English Teacher; Is It Really Me?; Old Maid; Not a Day Goes By; Aldonza; Cabaret; Applause; Time Heals Everything; Crossword Puzzle; You Can Always Count On Me; Trina's Song; The Story Goes On; Children of the Wind; Since You Stayed Here; I'm Not Alone; Heaven Help My Heart; Hold On; It Might As Well Be Spring; I Will Be Loved Tonight; A New Life; Raise the Roof; Through the Mountain; A Part of That; Still Hurting; I'm Not That Girl; Astonishing; Don't Ever Stop Saying I Love You; I Miss the Mountains; Fly, Fly Away; Part Three: Tenor/High Baritone; Come with Me. 
505 8 |a Kansas CityYounger Than Springtime; No Other Love; What Kind of Fool Am I?; I Believe in You; On the Street Where You Live; The Only Home I Know; Anthem; Marta; Your Eyes; This Is the Moment; I'd Rather Be Sailing; The Old Red Hills of Home; Tell My Father; You Walk with Me; At the Fountain; I Miss the Music; All That's Known; Absalom; Beautiful City; Goodbye; Santa Fe (Prologue); Part Four: Baritone; If I Loved You; There but for You Go I; Luck Be a Lady; If Ever I Would Leave You; Once Upon a Time; Rain Song; It Only Takes a Moment; Dulcinea; Being Alive; I Won't Send Roses. 
505 8 |a All I Care About Is LoveI've Heard It All Before; The Pickers Are Comin'; Funny; Lullaby of Broadway; There Is a Sucker Born Ev'ry Minute; Colors of My Life; Don't Go, Sally; You Should Be Loved; Shouldn't I Be Less in Love with You?; It's Hard to Speak My Heart; Love Who You Love; I Was Here; Index of Songs; Index of Shows; General Index. 
520 |a Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the ""truth"" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify. 
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