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The cinema of sensations /

Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacq...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Pethő, Ágnes (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • pt. I Perception, Body and Mind
  • Thinking like a Carpet: Embodied Perception and Individuation in Algorithmic Media / Laura U. Marks
  • Seeing to Believe
  • Sensing to Know: From Film Form to Perceptual Environment / Yvonne Spielmann
  • Learning and Re-learning Haptic Visuality / Laszlo Tarnay
  • Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnes Varda's La Pointe Courte (1954) / Francesca Minnie Hardy
  • Haptic Vision and the Experience of Difference in Agnes Varda's Les Glaneurs et la glaneuse (2000) / Romain Chareyron
  • Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings / Daniel Fernandez Pitarch
  • Unsettling Melodies: A Cognitive Approach to Incongruent Film Music / Miklos Kiss
  • pt. II Embodiment, Art and Media
  • Of Artists and Models: Italian Silent Cinema between Narrative Convention and Artistic Practice / Ivo Blom.
  • The Body as Interstitial Space between Media in Lecons de Tenebres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero / Marlene Monteiro
  • "Housing" a Deleuzian "Sensation:" Notes on the Post-Cinematic Tableaux Vivants of Lech Majewski, Sharunas Bartas and Ihor Podolchak / Agnes Petho
  • The Alienated Body, Smell, Touch and Oculocentrism in Contemporary Hungarian Cinema / Hajnal Kiraly
  • Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing / Elene Tremblay
  • Visuality and Narration in Monsters, Inc. / Jens Schroter
  • Crows vs. Avatar, or: 3D vs. Total-Dimension Immersion / Jose Manuel B. Martins
  • pt. III Sensation of Time, Reality and Fantasy
  • Affective Realism and the Brand New Brazilian Cinema / Ramayana Lira
  • The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study / Fernando Canet.
  • The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds / Fabio Pezzetti Tonion
  • Own Deaths: Figures of the Sensable in Peter Nadas's Book and Peter Forgacs's Film / Katalin Sandor
  • Remediating Past Images: The Temporality of "Found Footage" in Gabor Body's American Torso / Judit Pieldner
  • Embodied Genetics in Science-Fiction: From Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) / Andrea Virginas.