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The cinema of sensations /
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacq...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The cinema of sensations / |c edited by Ágnes Pethő. |
| 264 | 1 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2015. | |
| 300 | |a 1 online resource | ||
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| 520 | |a Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, ""multisensory milieu, "" another conference was organised, focusing this time directly on the ""multisensory"" nature of moving images. Pairing the k. | ||
| 504 | |a Includes bibliographical references at the end of each chapters. | ||
| 505 | 0 | |a pt. I Perception, Body and Mind -- Thinking like a Carpet: Embodied Perception and Individuation in Algorithmic Media / Laura U. Marks -- Seeing to Believe -- Sensing to Know: From Film Form to Perceptual Environment / Yvonne Spielmann -- Learning and Re-learning Haptic Visuality / Laszlo Tarnay -- Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnes Varda's La Pointe Courte (1954) / Francesca Minnie Hardy -- Haptic Vision and the Experience of Difference in Agnes Varda's Les Glaneurs et la glaneuse (2000) / Romain Chareyron -- Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings / Daniel Fernandez Pitarch -- Unsettling Melodies: A Cognitive Approach to Incongruent Film Music / Miklos Kiss -- pt. II Embodiment, Art and Media -- Of Artists and Models: Italian Silent Cinema between Narrative Convention and Artistic Practice / Ivo Blom. | |
| 505 | 8 | |a The Body as Interstitial Space between Media in Lecons de Tenebres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero / Marlene Monteiro -- "Housing" a Deleuzian "Sensation:" Notes on the Post-Cinematic Tableaux Vivants of Lech Majewski, Sharunas Bartas and Ihor Podolchak / Agnes Petho -- The Alienated Body, Smell, Touch and Oculocentrism in Contemporary Hungarian Cinema / Hajnal Kiraly -- Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing / Elene Tremblay -- Visuality and Narration in Monsters, Inc. / Jens Schroter -- Crows vs. Avatar, or: 3D vs. Total-Dimension Immersion / Jose Manuel B. Martins -- pt. III Sensation of Time, Reality and Fantasy -- Affective Realism and the Brand New Brazilian Cinema / Ramayana Lira -- The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study / Fernando Canet. | |
| 505 | 8 | |a The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds / Fabio Pezzetti Tonion -- Own Deaths: Figures of the Sensable in Peter Nadas's Book and Peter Forgacs's Film / Katalin Sandor -- Remediating Past Images: The Temporality of "Found Footage" in Gabor Body's American Torso / Judit Pieldner -- Embodied Genetics in Science-Fiction: From Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) / Andrea Virginas. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Senses and sensation in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 6 | |a Sens et sensations au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a Film: styles & genres. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Senses and sensation in motion pictures |2 fast | |
| 700 | 1 | |a Pethő, Ágnes, |e editor. | |
| 758 | |i has work: |a The cinema of sensations (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCRgd7vhDmb9mHyvP98P3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Pethő, Ágnes. |t Cinema of Sensations. |d Newcastle upon Tyne : Cambridge Scholars Publishing, ©1900 |z 9781443868839 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=2076815 |z Texto completo |
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