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Nine seventeenth-century organ transcriptions from the operas of Lully /
Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
The University Press of Kentucky,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Nine seventeenth-century organ transcriptions from the operas of Lully / |c edited with an introduction by Almonte C. Howell, Jr. |
| 260 | |a Lexington : |b The University Press of Kentucky, |c [2015] | ||
| 300 | |a 1 online resource (25 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Title; Copyright; Contents; INTRODUCTION; No. 1. L'OUVER TURE DE BELLEROPHON; No. 2. L'OUVERTURE D'ISIS; No. 3. TROMPETTE DE L'OPERA [Prelude from the Prologue to Isis]; No. 4. MENUET [Air from Isis, Act III, Scene xi]; No. 5. MENÜETT [2e Air pour les Muses, from the Prologue to Isis]; No. 6. L'OUVERTURE DE L'OPERA D'ALCESTE; No. 7. MARCHE DE L'OPERA [Rondeau from the Prologue to Alceste]; No. 8. PIECE DE L'OPERA [Duo from the Prologue to Atys]; No. 9. LA MARCHE [Entrée des Sacrificateurs, from Thesée, Act I, Scene xi]. | |
| 520 | |a Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resist domination by Italian opera and to maintain its individual identity during the seventeenth and eighteenth centuries. The impress he made upon French music was enormous, and it affected every musical medium of his day. Evidence of his influence in a field as remote from his own as the literature f. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Chorale preludes. | |
| 650 | 0 | |a Hymns |v Instrumental settings. | |
| 650 | 0 | |a Operas |v Excerpts, Arranged. | |
| 650 | 0 | |a Organ music, Arranged. | |
| 650 | 6 | |a Chorals, Préludes de. | |
| 650 | 6 | |a Opéras |v Extraits arr. | |
| 650 | 6 | |a Orgue, Musique d', arr. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a Chorale preludes |2 fast | |
| 650 | 7 | |a Hymns |x Instrumental settings |2 fast | |
| 650 | 7 | |a Operas |x Excerpts, Arranged |2 fast | |
| 650 | 7 | |a Organ music, Arranged |2 fast | |
| 700 | 1 | |a Howell, A. C. |q (Almonte Charles), |d 1895-1986. |1 https://id.oclc.org/worldcat/entity/E39PBJyt3r8vjmxtRc7jjM4Qbd | |
| 758 | |i has work: |a Nine seventeenth-century organ transcriptions from the operas of Lully (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGm6yHvvjXJfbMFX73pRXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Howell, Almonte C. Jr. |t Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully. |d Lexington : The University Press of Kentucky, ©2015 |z 9780813155784 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1915607 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1915607 | ||
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