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King Lear and the Gods /

Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing v...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Elton, William R., 1921-2000 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, 1988.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Note on the Text; Part I; I. The Problem; II. Renaissance Concepts of Providence; III. Sidney's Arcadia: Four Attitudes to Providence; IV. From Leir to Lear; Part II; V. Prisca Theologia: Cordelia and Edgar; VI. Pagan Atheism: Goneril and Regan, Edmund; VII. Pagan Superstition: Gloucester; VIII. Deus Absconditus: Lear; Part III; IX. Double Plot; X. Minor Characters: Kent, Cornwall, Albany, the Fool; XI. Irony as Structure; XII. Conclusion; King Lear Studies: 1967-1987; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V. 
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520 |a Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing view against the play's acknowledged sources, and analyzing the functions of the double plot, the characters, and the play's implicit ironies, Elton concludes that this standard interpretation constitutes a serious misreading of the tragedy. 
504 |a "King Lear studies, 1967-1987": pages 339-345 
504 |a Includes bibliographical references (pages ix-x) and index. 
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