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The philosophy of perception : phenomenology and image theory /
"Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
London ; New York :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wiesing, Lambert, |e author. | |
| 240 | 1 | 0 | |a Mich der Wahrnehmung. |l English |
| 245 | 1 | 4 | |a The philosophy of perception : |b phenomenology and image theory / |c Lambert Wiesing ; translated by Nancy Roth. |
| 264 | 1 | |a London ; |a New York : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, |c 2014. | |
| 300 | |a 1 online resource (ix, 166 pages) | ||
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| 520 | |a "Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a FC; The Philosophy of Perception; Also available from Bloomsbury ; Title; Copyright; Contents; Foreword; 1 Philosophical Myths and Models; Dissatisfaction at the highest level; The accusation of 'myth' in philosophy; Model-making philosophy, a contradictio in adjecto; The myth of the given; From the myth of the given to the myth of the mediate; Interpretationism and the philosophy of perception; Transcendental interpretationism; The link between the myth of the given and the myth of the mediate: Representationism; The paradigm of access; 2 Phenomenology: Philosophy without a Model. | |
| 505 | 8 | |a Phenomenal certaintyFrom Cartesian Cartesianism to phenomenological Cartesianism; Intentionality: The fundamentum inconcussum relationalis; To the things themselves and back to language; Phenomenological protrepsis; Eidetic variation; 3 The Me of Perception; From conditions of possibility to consequences of reality; From the primacy of the perceiver to the primacy of perception; From the I to the Me of perception; The imposition of continuing presence; Describing the imposition of presence: The content of perception; The quality of perception and the moment of apperception. | |
| 505 | 8 | |a Being certain that something is the case: Knowledge and certaintyThe impossible epoché; From impression to expression to taking part; Transcendental aesthetics and the assumption of forms of intuition; The embodiment of the perceiver: A consequence of perception; The continuity of the perceived; The perceived and the cause of perception; The imposition of a presence in public; The identity of me; 4 The Pause in Participation; Pause versus interruption; The three paradigms of the theory of image perception; The unique object of image perception; The unique origin of image perception. | |
| 505 | 8 | |a The unique consequences of image perceptionForced into spectatorship; Optical de-individualization of the Me; Deciding to take part; Bibliography; Index. | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
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| 650 | 0 | |a Perception (Philosophy) | |
| 650 | 0 | |a Phenomenology. | |
| 650 | 6 | |a Perception (Philosophie) | |
| 650 | 6 | |a Phénoménologie. | |
| 650 | 7 | |a perception. |2 aat | |
| 650 | 7 | |a phenomenology. |2 aat | |
| 650 | 7 | |a Phenomenology & Existentialism. |2 bicssc | |
| 650 | 7 | |a Philosophy: aesthetics. |2 bicssc | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x Movements |x Phenomenology. |2 bisacsh | |
| 650 | 7 | |a Perception (Philosophy) |2 fast | |
| 650 | 7 | |a Phenomenology |2 fast | |
| 758 | |i has work: |a The philosophy of perception (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGKWpKf7MmtR8xwpPkBdPP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Wiesing, Lambert. |s Mich der Wahrnehmung. English. |t Philosophy of perception. |d London ; New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2014 |z 9781780937595 |z 1780937598 |w (DLC) 2014009530 |w (OCoLC)858353460 |
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