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American Postfeminist Cinema : Women, Romance and Contemporary Culture /
In light of their tremendous gains in the political and professional sphere, why is it that most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first bo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2014.
|
| Colección: | Traditions in American Cinema EUP.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Schreiber, Michele. | |
| 245 | 1 | 0 | |a American Postfeminist Cinema : |b Women, Romance and Contemporary Culture / |c Michele Schreiber. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2014. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Traditions in American Cinema EUP | |
| 500 | |a Title from publisher's bibliographic system (viewed on 12 Sep 2014). | ||
| 505 | 0 | |a Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index. | |
| 520 | |a In light of their tremendous gains in the political and professional sphere, why is it that most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected and negotiated in the American romance film. Case studies from a broad range of Hollywood and indepe. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Man-woman relationships in motion pictures. | |
| 650 | 0 | |a Feminism and motion pictures. | |
| 650 | 4 | |a Feminism and motion pictures. | |
| 650 | 4 | |a Man-woman relationships in motion pictures. | |
| 650 | 6 | |a Relations entre hommes et femmes au cinéma. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 650 | 7 | |a Man-woman relationships in motion pictures |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Schreiber, Michele. |t American Postfeminist Cinema: Women, Romance and Contemporary Culture. |d Oxford : Edinburgh University Press, ©2013 |z 9780748693368 |
| 830 | 0 | |a Traditions in American Cinema EUP. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1961821 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1961821 | ||
| 994 | |a 92 |b IZTAP | ||