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Transnational representations : the state of Taiwan film in the 1960s and 1970s /
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme, and genre as directors highlighted the complexities of Taiwan's position in the world. Combining a concise overview of Taiwan film...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
HKU Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments; Introduction; 1. Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien's Three Times; 2. Two Stage Brothers: Tracing a Common Heritage in Xie Jin and Li Xing's Early 1960s Films; 3. Projecting a State That Does Not Exist: The Politics of Migration in Bai Jingrui's 1970 Film Home Sweet Home; 4. Gender Negotiation in Song Cunshou's Story of Mother and Taiwan Cinema of the Early 1970s; Conclusion: Transnationalism and the Structure of Feeling of Taiwan Cinema in the Late 1970s; Notes; Bibliography; Index.