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Transnational representations : the state of Taiwan film in the 1960s and 1970s /
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme, and genre as directors highlighted the complexities of Taiwan's position in the world. Combining a concise overview of Taiwan film...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
HKU Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wicks, James, |e author. | |
| 245 | 1 | 0 | |a Transnational representations : |b the state of Taiwan film in the 1960s and 1970s / |c James Wicks. |
| 264 | 1 | |a Hong Kong : |b HKU Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (192 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed December 5, 2014). | |
| 505 | 0 | |a Acknowledgments; Introduction; 1. Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien's Three Times; 2. Two Stage Brothers: Tracing a Common Heritage in Xie Jin and Li Xing's Early 1960s Films; 3. Projecting a State That Does Not Exist: The Politics of Migration in Bai Jingrui's 1970 Film Home Sweet Home; 4. Gender Negotiation in Song Cunshou's Story of Mother and Taiwan Cinema of the Early 1970s; Conclusion: Transnationalism and the Structure of Feeling of Taiwan Cinema in the Late 1970s; Notes; Bibliography; Index. | |
| 520 | |a Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme, and genre as directors highlighted the complexities of Taiwan's position in the world. Combining a concise overview of Taiwan film history with analysis of representative Taiwan films, the book reveals the internal and external struggles Taiwan experienced in its search for global identity. This cross-disciplinary study adopts a transnational approach which presents Taiwan's film industry as one that is intertwined with that of mai. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |z Taiwan |x History. | |
| 650 | 6 | |a Cinéma |z Taiwan |x Histoire. | |
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| 651 | 7 | |a Taiwan |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Transnational representations (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcQp7FhXDQ3pMxwrybBMX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Wicks, James. |t Transnational Representations : The State of Taiwan Film in the 1960s and 1970s. |d Hong Kong : Hong Kong University Press, HKU, ©2015 |z 9789888208500 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1863709 |z Texto completo |
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