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Tender is the Night and F. Scott Fitzgerald's sentimental identities /
In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest impulses as a prose writer. Messenger demonstrates that the sentimental identities, ref...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa :
The University of Alabama Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Messenger, Christian K., |d 1943- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjvxvBpTQJYBm4bYJCD76q | |
| 245 | 1 | 0 | |a Tender is the Night and F. Scott Fitzgerald's sentimental identities / |c Chris Messenger. |
| 264 | 1 | |a Tuscaloosa : |b The University of Alabama Press, |c 2014. | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of Illustrations; Preface; Introduction; Part I: Identitities; 1. "Rare," "Whole-Souled, ""Vicious": Fitzgerald's Ambivalence toward Sentiment in Book One of Tender Is the Night; 2. Replacing the Dead Sisters: Fitzgerald's Narrative Incorporations of Sentimental Mourning; 3. "So Easy To Be Loved-So Hard To Love": Sentiment, Charm, and Carrying the Egos; Part II: Refractions; 4. Sentiment and the Construction of Nicole Warren Diver; 5. Ophelia, Zelda, and the Women of Tender Is the Night; 6. The Uncanny in Fitzgerald's Sentimental Imagination; Part III: Influences. | |
| 505 | 8 | |a 7. "The Queen Moon Is On Her Throne": Fitzgerald's Maternal Hero "Plagued By" Keats and Florence Nightingale8. "How Many Women Is Power": Dickens' Sarah Gamp and Ventriloquizing the Sentimental; 9. Sanctuary and Little Lord Fauntleroy: Sentiment, Sensation, and "Two Faces"; Conclusion; Notes; Works Cited; Index. | |
| 520 | |a In this fascinating study, Chris Messenger posits F. Scott Fitzgerald as a great master of sentiment in modern American fiction. Sentimental forms both attracted and repelled Fitzgerald while defining his deepest impulses as a prose writer. Messenger demonstrates that the sentimental identities, refractions, and influences Fitzgerald explores in Tender Is the Night define key components in his affective life, which evolved into a powerful aesthetic that informed his vocation as a modernist writer. In "Tender Is the Night" and F. Scott Fitzgerald's Sentimental Identities, Messenger traces the r. | ||
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| 600 | 1 | 0 | |a Fitzgerald, F. Scott |q (Francis Scott), |d 1896-1940. |t Tender is the night. |
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| 650 | 0 | |a Sentimentalism in literature. | |
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