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Emir Kusturica /

"Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popular...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bertellini, Giorgio, 1967-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, 2014.
Colección:Contemporary film directors.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bertellini, Giorgio,  |d 1967-  |1 https://id.oclc.org/worldcat/entity/E39PBJqbpBwmDKgDCDhh79jcT3 
245 1 0 |a Emir Kusturica /  |c by Giorgio Bertellini. 
264 1 |a Urbana :  |b University of Illinois Press,  |c 2014. 
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490 1 |a Contemporary Film Directors 
520 |a "Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover -- Title -- Contents -- Acknowledgments -- The Art of a Romantic Trickster -- Dissention -- Beginnings: A Yugoslav Auteur from Prague -- Historical-Romantic Cinema -- A Yugoslav in America -- Disconnection -- Once upon a Time There Was a Country -- Dissonance -- Cats and Birds -- Super 8 Music -- Life Is a Miracle-He Promises -- Kindred Spirits -- Bridges on the Balkans -- Interviews with Emir Kusturica: A Montage -- Filmography -- Bibliography -- Index 
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