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Transformations, ideology, and the real in Defoe's Robinson Crusoe and other narratives : finding the thing itself /

Writer Daniel Defoe was anything but a novice in writing fiction in short stories, but in turning himself into a novel-length writer, he had to explore ways of knitting his fictions together through patterns of language, imagery, and intellectual play. This book establishes the complexities and orig...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Novak, Maximillian E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : University of Delaware Press, [2015]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Transformations, ideology, and the real in Defoe's Robinson Crusoe and other narratives :  |b finding the thing itself /  |c Maximillian E. Novak. 
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505 0 |a Defoe as an innovator of fictional form -- Picturing the thing itself, or not: Defoe, painting, prose fiction, and the arts of describing -- The unmentionable and the ineffable in Defoe's fiction -- Novel or fictional memoir: the scandalous publication of Robinson Crusoe -- Meatless fridays: cannibalism as theme and metaphor in Robinson Crusoe -- Edenic desires: Robinson Crusoe, the Robinsonade, and utopian forms -- Strangely surpriz'd by Robinson Crusoe: a response to David Fishelov's "Robinson Crusoe, 'the other, ' and the poetics of surprise" -- "Looking with wonder upon the sea" : Defoe's maritime fictions, Robinson Crusoe, and "the curious age we live in" -- The cave and the grotto: imagined interiors and realist form in Robinson Crusoe -- "The sume of humane misery?": ambiguities of exile in Defoe's fiction -- Ideological tendencies in three crusoe narratives by British novelists during the period following the French Revolution: Charles Dibdin's Hannah Hewit, the demale Crusoe, Maria Edgeworth's Forester, and Frances Burney's The wanderer. 
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