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Projecting 9/11 : race, gender, and citizenship in recent Hollywood films /

"Projecting 9/11 examines sensibilities and ideologies that arose after September 11, 2001, and how these intersect with issues of race, gender, sexuality, and citizenship in contemporary mainstream films. The authors argue that the social and political project that is "9/11" can be f...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Bloodsworth-Lugo, Mary K. (Autor), Lugo-Lugo, Carmen R. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Rowman & Littlefield, [2014]
Colección:Perspectives on a multiracial America series.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bloodsworth-Lugo, Mary K.,  |e author. 
245 1 0 |a Projecting 9/11 :  |b race, gender, and citizenship in recent Hollywood films /  |c Mary K. Bloodsworth-Lugo and Carmen R. Lugo-Lugo. 
264 1 |a Lanham :  |b Rowman & Littlefield,  |c [2014] 
300 |a 1 online resource (viii, 193 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Perspectives on a multiracial America series 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a White masculinity and the (in)security of 9/11 -- War and sexualized/racialized threats -- Narratives of threat and 9/11 monsters -- 9/11 transnationalism and gendered citizenship -- Animated 9/11 raciality conceptions of progress -- The great recession and white masculine (in)security again -- 9/11 end of days Hollywood -- Bibliography -- Filmography. 
520 |a "Projecting 9/11 examines sensibilities and ideologies that arose after September 11, 2001, and how these intersect with issues of race, gender, sexuality, and citizenship in contemporary mainstream films. The authors argue that the social and political project that is "9/11" can be found in most cultural artifacts produced after the date, including film. In essence, Hollywood films project the 9/11 project. The book analyzes the specific ways in which recent Hollywood films have become both powerful forces of significance and also forceful representations of reality about post-9/11 life. From films that explicitly treat subjects related to 9/11, such as United 93 and Extremely Loud and Incredibly Close, to films that show post-9/11 themes in less-expected ways, such as Eat, Pray, Love and World War Z, the authors explore tensions around race, gender, and sexuality. The book examines our perceptions of reality after the events of September 11, 2001, as shown by one of the more influential means of cultural representation-Hollywood films."--  |c Provided by the publisher 
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650 0 |a September 11 Terrorist Attacks, 2001, in motion pictures. 
650 0 |a Race in motion pictures. 
650 0 |a Sex role in motion pictures. 
650 0 |a Citizenship in motion pictures. 
650 0 |a Motion pictures  |z United States  |x History  |y 21st century. 
650 6 |a Attentats du 11 septembre 2001, États-Unis, au cinéma. 
650 6 |a Race au cinéma. 
650 6 |a Rôle selon le sexe au cinéma. 
650 6 |a Citoyenneté au cinéma. 
650 6 |a Cinéma  |z États-Unis  |x Histoire  |y 21e siècle. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Citizenship in motion pictures  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Race in motion pictures  |2 fast 
650 7 |a September 11 Terrorist Attacks (2001) in motion pictures  |2 fast 
650 7 |a Sex role in motion pictures  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
648 7 |a 2000-2099  |2 fast 
655 7 |a History  |2 fast 
700 1 |a Lugo-Lugo, Carmen R.,  |e author. 
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830 0 |a Perspectives on a multiracial America series. 
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