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EBOOKCENTRAL_ocn894554800 |
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141106s2014 mdu ob 001 0 eng d |
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|a 9781442218284
|q (electronic bk.)
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|a 1442218282
|q (electronic bk.)
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|z 9781442218260
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|z 1442218266
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|a AU@
|b 000053943073
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|b 38360057X
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|a (OCoLC)894554800
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|a D450ED05-88B4-4725-A188-9365FA3ACA24
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a n-us---
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|a PN1995.9.T46
|b B58 2014eb
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|a PER
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|a 791.43/6552
|2 23
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|a UAMI
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100 |
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|a Bloodsworth-Lugo, Mary K.,
|e author.
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245 |
1 |
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|a Projecting 9/11 :
|b race, gender, and citizenship in recent Hollywood films /
|c Mary K. Bloodsworth-Lugo and Carmen R. Lugo-Lugo.
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264 |
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|a Lanham :
|b Rowman & Littlefield,
|c [2014]
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300 |
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|a 1 online resource (viii, 193 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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347 |
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|a data file
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490 |
1 |
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|a Perspectives on a multiracial America series
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|a Print version record.
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504 |
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|a Includes bibliographical references and index.
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|a White masculinity and the (in)security of 9/11 -- War and sexualized/racialized threats -- Narratives of threat and 9/11 monsters -- 9/11 transnationalism and gendered citizenship -- Animated 9/11 raciality conceptions of progress -- The great recession and white masculine (in)security again -- 9/11 end of days Hollywood -- Bibliography -- Filmography.
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|a "Projecting 9/11 examines sensibilities and ideologies that arose after September 11, 2001, and how these intersect with issues of race, gender, sexuality, and citizenship in contemporary mainstream films. The authors argue that the social and political project that is "9/11" can be found in most cultural artifacts produced after the date, including film. In essence, Hollywood films project the 9/11 project. The book analyzes the specific ways in which recent Hollywood films have become both powerful forces of significance and also forceful representations of reality about post-9/11 life. From films that explicitly treat subjects related to 9/11, such as United 93 and Extremely Loud and Incredibly Close, to films that show post-9/11 themes in less-expected ways, such as Eat, Pray, Love and World War Z, the authors explore tensions around race, gender, and sexuality. The book examines our perceptions of reality after the events of September 11, 2001, as shown by one of the more influential means of cultural representation-Hollywood films."--
|c Provided by the publisher
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a September 11 Terrorist Attacks, 2001, in motion pictures.
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650 |
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|a Race in motion pictures.
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650 |
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|a Sex role in motion pictures.
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|a Citizenship in motion pictures.
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|a Motion pictures
|z United States
|x History
|y 21st century.
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|a Attentats du 11 septembre 2001, États-Unis, au cinéma.
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|a Race au cinéma.
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|a Rôle selon le sexe au cinéma.
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|a Citoyenneté au cinéma.
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|a Cinéma
|z États-Unis
|x Histoire
|y 21e siècle.
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Motion pictures
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|a Race in motion pictures
|2 fast
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|a September 11 Terrorist Attacks (2001) in motion pictures
|2 fast
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|a Sex role in motion pictures
|2 fast
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|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a 2000-2099
|2 fast
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|a History
|2 fast
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|a Lugo-Lugo, Carmen R.,
|e author.
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|i has work:
|a Projecting 9/11 (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGD89TYhyyqprybcwjxCHy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Bloodsworth-Lugo, Mary K.
|t Projecting 9/11
|z 9781442218260
|w (DLC) 2014030141
|w (OCoLC)884396994
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830 |
|
0 |
|a Perspectives on a multiracial America series.
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1832603
|z Texto completo
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|a EBL - Ebook Library
|b EBLB
|n EBL1832603
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|a EBSCOhost
|b EBSC
|n 885885
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis30041675
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|a YBP Library Services
|b YANK
|n 12150851
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