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Nationalism and the cinema in France : political mythologies and film events, 1945-1995 /

It is often taken for granted that French cinema is intimately connected to the nation's sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frey, Hugo
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Berghahn Books, 2014.
Colección:Berghahn on film.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Nationalism and the cinema in France :  |b political mythologies and film events, 1945-1995 /  |c Hugo Frey. 
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504 |a Includes bibliographical references (pages 223-230) and index. 
505 0 |a Introduction: from international "high art" to the Parisian political melee -- The cinema of self-promotion: patriotic subtexts in "films about films" -- The search for national unity through history -- The representation of a modern chic people -- A paradox in anti-Americanism: public protest and on screen ambiguity -- The maintenance of neo-colonial attitudes -- The persistence of anti-semitism -- The cinema and the extreme right-wing undercurrent -- Conclusion. 
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520 |a It is often taken for granted that French cinema is intimately connected to the nation's sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the 'political myth' and 'the film event' are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonial. 
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