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141019s2014 mau ob 001 0 eng d |
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|a 893333536
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|a 9004242945
|q (electronic bk.)
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|a 9789004242944
|q (electronic bk.)
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|q (ebk.)
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|z 9789004242937
|q (hardback ;
|q alk. paper)
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|z 9004242937
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|q alk. paper)
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|z (OCoLC)1117210705
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|a 651276
|b MIL
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|a ML3850
|b .A16 2014
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|a ML
|2 lcco
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|a MUS
|x 041000
|2 bisacsh
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|a 781.2/2
|2 23
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|a UAMI
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|a Abel, Mark,
|d 1948-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJcGprtgJRqJWVck6kXPQq
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|a Groove :
|b an aesthetic of measured time /
|c Mark Abel.
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|a Aesthetic of measured time
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|a Boston :
|b Brill,
|c 2014.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Historical Materialism Book Series
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Introduction The Meaning of Musical Time; Music and Time; The Meaning of Form; Music as Symbolism; The Structure of the Book; Chapter 1 What is 'groove'?; Four Elements of Groove; 1 Metronomic Time; 2 Syncopation; 3 'Deep metricality' or Multi-levelled Meter; 4 Back-beat; Chapter 2 Is Groove African?; The Making of Popular Music; Rhythm in African Music; Historicising Musical Meter; Chapter 3 Bergsonism and Unmeasurable Time; Bergson's Metaphysics of Time; Deleuze and the Multiplicity of Time; Zuckerkandl's Audible Time.
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|a Chapter 4 Schutz's 'Vivid Present' and the Social Time of MusicSchutz's Phenomenology; Music as Phenomenon; Growing Older Together; Making Music; Overcoming the Dichotomy of Inner and Outer; Chapter 5 Adorno and Reified Time; The Time of Jazz; Time in Music; 'Serious' Music and Time; Modernism and the Trend towards Stasis; Music and the Empirical World; Subjectivity and Collectivity; Presentness; Adorno's Contribution; Chapter 6 Meter, Groove and the Times of Capitalism; Abstract Labour and Abstract Time; Exchange and Abstract Time; Monopoly Capitalism and the Discipline of Abstract Time.
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|a World TimeChapter 7 History, Modernism, and the Time of Music; Time and Narrative; The Structure of History; The Historical Consciousness of Modernity; Groove as a Musical Modernism; Temporal Quality, Quantity and Measure; The Politics of an Aesthetic of Measured Time; References; Index.
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|a People often talk about the groove of music, but what is it, and what does it mean? Why has groove-based music come to dominate in the West and increasingly across the world?
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Musical meter and rhythm.
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650 |
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|a Music
|x Philosophy and aesthetics.
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|a Musique
|x Mesure et rythme.
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|a Musique
|x Philosophie et esthétique.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Music
|x Philosophy and aesthetics
|2 fast
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|a Musical meter and rhythm
|2 fast
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|i has work:
|a Groove (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGtrVxcj9XvHCVyFKPrVP3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|z 9789004242937
|z 9004242937
|w (DLC) 2014010030
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830 |
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0 |
|a Historical materialism book series.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1815743
|z Texto completo
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