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Community Art : an Anthropological Perspective.

Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective. The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s strug...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Crehan, Kate A. F.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Publishing, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Community Art :  |b an Anthropological Perspective. 
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505 0 |a Cover; Contents; List of Figures; Acknowledgements; Preface; I: THE REJECTION; 1 Art Inside and Outside the Gallery; The Art World; Art with a Capital A; The Art World and Common Sense; Charges and Briefs; II: THE SHAPING; 2 Moving beyond the Gallery; Beginnings; An Art World Brief; Into the 'Community'; A Warmly Persuasive Word; Back to the Art World; 'What's It For, Mister?'; Freedom and Structure; Fun Events v. Artism Lifeism; 3 From Performance to the Environment; 'I'm Afraid This Whole Horrible Box Takes Priority'; From Visual Systems to Free Form Arts Trust; Performance. 
505 8 |a Dead Fish and Totem PolesThe Environmental Turn; 4 Community Arts and the Democratization of Expertise; The Rise and Fall of Community Arts and Community Architecture; Early Environmental Work in Hackney; Providing Access to Expertise; 5 Responding to Local Needs: Goldsmiths; Football and Mosiacs; Of Distraction and Expression; 6 Making Art Collaboratively: Provost; Paths and Plantings; The Mural; 'Everybody Was Involved in the Mural'; The View from the Arts Council; 7 Theoretical and Political Locations; Artists and Ethnography; Locating the Free Form Artists; The Coming of the Audit Culture. 
505 8 |a III: INTO THE TWENTY-FIRST CENTURY8 Free Form in 2004; A Professional Organization; The Norwich Commission; The Catton Grove Brief; 9 A Carnival and a Standing Stone; The Catton Clear Day Carnival; The Fiddlewood Project; The End of the Journey; Conclusion: Of Art and Community; Artists in the 'Community'; New Genre Public Art; The Free Artist and the 'Nonexclusive Audience'; Community Art and the 'Community'; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y. 
520 |a Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective. The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art w. 
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650 4 |a Artists and community  |z Great Britain. 
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650 4 |a Arts and globalization. 
650 4 |a Free Form Arts Trust (Great Britain) 
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776 0 8 |i Print version:  |a Crehan, Kate.  |t Community Art : An Anthropological Perspective.  |d London : Bloomsbury Publishing, ©2013  |z 9781847888334 
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