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EBOOKCENTRAL_ocn893336269 |
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20240329122006.0 |
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141018s2013 enk o 000 0 eng d |
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|a EBLCP
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|d OCLCQ
|d WAU
|d OCLCQ
|d OCLCL
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|a 9780857853165
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|a 0857853163
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|b 000056023161
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|a (OCoLC)893336269
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|a N72 .A76 C74 2011
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|a 700.1
|a 700.13
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|a UAMI
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|a Crehan, Kate A. F.
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|a Community Art :
|b an Anthropological Perspective.
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|a London :
|b Bloomsbury Publishing,
|c 2013.
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|a 1 online resource (229 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Cover; Contents; List of Figures; Acknowledgements; Preface; I: THE REJECTION; 1 Art Inside and Outside the Gallery; The Art World; Art with a Capital A; The Art World and Common Sense; Charges and Briefs; II: THE SHAPING; 2 Moving beyond the Gallery; Beginnings; An Art World Brief; Into the 'Community'; A Warmly Persuasive Word; Back to the Art World; 'What's It For, Mister?'; Freedom and Structure; Fun Events v. Artism Lifeism; 3 From Performance to the Environment; 'I'm Afraid This Whole Horrible Box Takes Priority'; From Visual Systems to Free Form Arts Trust; Performance.
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|a Dead Fish and Totem PolesThe Environmental Turn; 4 Community Arts and the Democratization of Expertise; The Rise and Fall of Community Arts and Community Architecture; Early Environmental Work in Hackney; Providing Access to Expertise; 5 Responding to Local Needs: Goldsmiths; Football and Mosiacs; Of Distraction and Expression; 6 Making Art Collaboratively: Provost; Paths and Plantings; The Mural; 'Everybody Was Involved in the Mural'; The View from the Arts Council; 7 Theoretical and Political Locations; Artists and Ethnography; Locating the Free Form Artists; The Coming of the Audit Culture.
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|a III: INTO THE TWENTY-FIRST CENTURY8 Free Form in 2004; A Professional Organization; The Norwich Commission; The Catton Grove Brief; 9 A Carnival and a Standing Stone; The Catton Clear Day Carnival; The Fiddlewood Project; The End of the Journey; Conclusion: Of Art and Community; Artists in the 'Community'; New Genre Public Art; The Free Artist and the 'Nonexclusive Audience'; Community Art and the 'Community'; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y.
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|a Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective. The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art w.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Artists and community
|z Great Britain.
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650 |
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|a Artists and community.
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650 |
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|a Arts and globalization.
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650 |
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|a Free Form Arts Trust (Great Britain)
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758 |
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|i has work:
|a Community art (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGf49898Yhj9b9JpFCRbtX
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Crehan, Kate.
|t Community Art : An Anthropological Perspective.
|d London : Bloomsbury Publishing, ©2013
|z 9781847888334
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1185076
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL1185076
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994 |
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|a 92
|b IZTAP
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