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|a 9781441153845
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|a 823.914093553
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|a UAMI
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|a Marsh, Nicky.
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|a Money, Speculation and Finance in Contemporary British Fiction.
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|a London :
|b Bloomsbury Publishing,
|c 2007.
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|a 1 online resource (171 pages).
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|a text
|b txt
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|a computer
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|a online resource
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|a Continuum Literary Studies
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|a Print version record.
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|a Cover; Contents; Acknowledgements; Introduction. Fiction and the Fictitious: Reading the Money Economy; 1 ''Kiss, Kiss, Bang, Bang'': Money and the Thriller; Introduction. Money in the Twentieth Century; I: From the Gold Standard to the EuroDollar: H.G. Wells''s Tono Bungay and Ian Fleming''s Goldfinger; II: Crime and Casino Capitalism: Paul Erdman''s The Billion Dollar Sure Thing and Jocelyn Davey''s A Treasury Alarm; 2 Sound Money: Thatcher, Gender and the State; Introduction. The Emergence of Sado-monetarism.
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|a I: Taking the Maggie: Martin Amis''s Money and Malcolm Bradbury''s Rates of ExchangeII: The Taboo: Margaret Drabble''s The Radiant Way and Fay Weldon''s Darcy''s Utopia; 3 Bang, Boom, Bust: The Fortune of the City; Introduction. Making a Killing; I: The Monkey and the Trader: Raymond Williams''s Loyalties and David Lodge''s Nice Work; II: Revision and Retrospect: Jonathan Coe''s What a Carve Up! and Alan Hollinghurst''s The Line of Beauty; 4 Rogue Traders: Popular Fiction and the Professional Introduction. The Men Who Broke the Bank; Introduction. The Men Who Broke the Bank.
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|a I: Bonds and Novels: the Professional and the ThrillerII: Free to Trade: The Creation of the Market; III: Genre and Critique: Don DeLillo''s Cosmopolis; 5 Women, Work and Risk; Introduction. The Gender Quake; I: Bridget Goes Banking: Femininity and Finance in Popular Fiction; II: Trading on Feminine Ethics: Lesley Campbell''s Forged Metal Conclusion: The Unknown Unknowns; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; W; Y.
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|a Fiction has become increasingly concerned with the political and imaginative significance of finance, speculation and the money markets - from Ian Fleming''s Goldfinger to Jonathan Coe''s What a Carve Up and Martin Amis'' Money. This book argues that recent British fiction demystifies the ''weightless'' economy of contemporary money and critiques the popular sense of money as being everywhere but nowhere. The monograph provides a comprehensive survey of a large body of fictional texts that have striven to represent and understand the formative significance of finance capital on contemporary cu.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a English fiction
|y 20th century
|x History and criticism.
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|a Money in literature.
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|a Finance in literature.
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|a Roman anglais
|y 20e siècle
|x Histoire et critique.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a English fiction
|2 fast
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|a Finance in literature
|2 fast
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|a Money in literature
|2 fast
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Money, speculation and finance in contemporary British fiction (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFBpcm7fftqcQjcQdrGj4q
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Marsh, Nicky.
|t Money, Speculation and Finance in Contemporary British Fiction.
|d London : Bloomsbury Publishing, ©2007
|z 9780826495440
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830 |
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|a Continuum literary studies.
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1644310
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL1644310
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|a EBSCOhost
|b EBSC
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