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|a 016933386
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|a 893736867
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|a (OCoLC)892513207
|z (OCoLC)893736867
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|a 775407
|b Palgrave Macmillan
|n http://www.palgraveconnect.com
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|b .D35 2014
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|2 23
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|a UAMI
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|a Dalley, Hamish,
|d 1984-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjDvhqCxYdgvy7YcBbqmMK
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|a The postcolonial historical novel :
|b realism, allegory, and the representation of contested pasts /
|c by Hamish Dalley, Learning Adviser, Australian National University, Australia.
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|a New York :
|b Palgrave Macmillan,
|c 2014.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
|b cr
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|a Print version record.
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|a "The Postcolonial Historical Novel" is the first systematic work to explore how the historical novel shapes understandings of the past in former colonies, and how it has been transformed by its appropriation in these settings. Focusing on contemporary writing from Africa and Australasia, this book challenges conventional understandings of literary realism. It shows how plausibility and verifiability are fundamental to fiction-writing in places where the past is contested, and suggests new ways for thinking about the relations between historical truth and creative imagination. By analyzing how this commitment to realism and plausibility functions differently in texts from Nigeria, Australia, and New Zealand, this book explores how the historical novel has been inflected by distinct postcolonial pressures. In particular, it outlines three key variations or subgenres: settler allegory (which reflects the ideological tensions implicit in much colonial writing), transnational realism (which emerges from authors' desires to explore processes of globalization in their fiction), and melancholy realism (in which the boundaries between past and present dissolve)
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|a Includes bibliographical references and index.
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|a The contemporary postcolonial historical novel: beyond anti-realism -- Allegorical realism: toward a poetics of the postcolonial historical novel -- Typification and frontier violence: Kate Grenville's The secret river -- The gender of settler realism: Fiona Kidman's The captive wife -- Deterritorializing allegorical realism: Witi Ihimaera's The Trowenna Sea -- Aesthetics of absent causality: Chimamanda Ngozi Adichie's Half of a yellow sun -- Spectres of civil war trauma: Chris Abani's Song for night -- Metafictional realism and the dialectic of allegory: Richard Flanagan's Gould's book of fish -- Conclusion: The historical novel, from postcolonial reconciliation to environmental crisis.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Historical fiction
|x History and criticism.
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|a Postcolonialism in literature.
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|a Realism in literature.
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|a Postcolonialisme dans la littérature.
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|a Réalisme dans la littérature.
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
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|a Historical fiction
|2 fast
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|a Postcolonialism in literature
|2 fast
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|a Realism in literature
|2 fast
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|a Englisch
|2 gnd
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|a Historischer Roman
|2 gnd
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650 |
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|a Historical fiction
|x History and criticism.
|2 idszbzes
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|a Postcolonial literatures
|x History and criticism.
|2 idszbzes
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650 |
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|a Realism in literature.
|2 idszbzes
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Dalley, Hamish, 1984-
|t Postcolonial historical novel
|z 9781137450081
|w (DLC) 2014022063
|w (OCoLC)881498570
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1809337
|z Texto completo
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|a Askews and Holts Library Services
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