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|a Andrews, Eleanor,
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|1 https://id.oclc.org/worldcat/entity/E39PCjrKD6wHWJCcbvKrKVT9Mq
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245 |
1 |
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|a Place, setting, perspective :
|b narrative space in the films of Nanni Moretti /
|c Eleanor Andrews.
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|a Madison :
|b Fairleigh Dickinson University Press ;
|a Lanham, Maryland :
|b Co-published with the Rowman & Littlefield Publishing Group, Inc.,
|c [2014]
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|a 1 online resource
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|a Includes bibliographical references and index.
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|a List of Figures; Acknowledgments; Clarification; 1 Introduction; 1: Place; 2 Nearly All Roads Lead to Rome; 3 Battling with Nature; 4 Inside; 5 Outside; 2: Setting; 6 Laughter and Tears; 7 The Scene of the Crime; 8 Sweet Dreams?; 9 Whose Space is it Anyway?; 3: Perspective; 10 Inside and Outside the Frame; 11 A Certain Point of View; 12 An Artist at Work; Filmography; Bibliography; Index; About the Author.
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|a This book takes a fresh view of the films of the Italian filmmaker Nanni Moretti through the important study of narrative space, which is defined here in terms of geographical place, genre setting, and aesthetic and philosophical perspective. The study is based on close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-scène, cinematography, editing, and sound.
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|a Moretti, Nanni
|x Criticism and interpretation.
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|t Place, setting, perspective
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