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The Split Subject of Narration in Elizabeth Gaskell''s First Person Fiction.
The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell''s first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell'...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Lexington Books,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The Split Subject Of Narration In Elizabeth Gaskell''s First-Person Fiction; Contents; Abbreviations and Short Titles; Acknowledgments; Introduction: Theorizing Subjectivity: The Emergence of the ""I"" in Elizabeth Gaskell''s First-Person Fiction; Chapter One Elizabeth Gaskell''s First-Person Narratives in the Context of Victorian Culture and Society: Theoretical Perspectives on First-Person Narration; Chapter Two The Communal ""I/Eye"": Narrating the Individual and the Community in Cranford''s Heterotopic Utopia.
- Chapter Three The Voyeuristic I/Eye: Disavowal, Defence and Voyeurism in the Narration of Six Weeks at Heppenheim and Cousin PhillisChapter Four The Gothic I/Eye: The Ghostliness of Identity in The Poor Clare and The Grey Woman
- Afterword; Bibliography; Index; About the Author.