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The Split Subject of Narration in Elizabeth Gaskell''s First Person Fiction.
The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell''s first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell'...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Lexington Books,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
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| 003 | OCoLC | ||
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| 100 | 1 | |a Koustinoudi, Anna. | |
| 245 | 1 | 4 | |a The Split Subject of Narration in Elizabeth Gaskell''s First Person Fiction. |
| 260 | |a Lanham : |b Lexington Books, |c 2011. | ||
| 300 | |a 1 online resource (179 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a The Split Subject Of Narration In Elizabeth Gaskell''s First-Person Fiction; Contents; Abbreviations and Short Titles; Acknowledgments; Introduction: Theorizing Subjectivity: The Emergence of the ""I"" in Elizabeth Gaskell''s First-Person Fiction; Chapter One Elizabeth Gaskell''s First-Person Narratives in the Context of Victorian Culture and Society: Theoretical Perspectives on First-Person Narration; Chapter Two The Communal ""I/Eye"": Narrating the Individual and the Community in Cranford''s Heterotopic Utopia. | |
| 505 | 8 | |a Chapter Three The Voyeuristic I/Eye: Disavowal, Defence and Voyeurism in the Narration of Six Weeks at Heppenheim and Cousin PhillisChapter Four The Gothic I/Eye: The Ghostliness of Identity in The Poor Clare and The Grey Woman -- Afterword; Bibliography; Index; About the Author. | |
| 520 | |a The Split Subject of Narration in Elizabeth Gaskell's First-Person Fiction analyzes a number of Elizabeth Gaskell''s first-person works through a post-modern perspective. It attempts to explore the vicissitudes of Victorian Subjectivity by focusing on the ways in which E. Gaskell's realistic and Gothic fiction interrogate post-Romantic assumptions about the centrality and coherence of the narrating subject. | ||
| 504 | |a Includes bibliographical references (pages 145-156) and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Gaskell, Elizabeth Cleghorn, |d 1810-1865 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Gaskell, Elizabeth Cleghorn, |d 1810-1865 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrcpj9hB97Ypgm7mPfXh3 |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a The split subject of narration in Elizabeth Gaskell's first-person fiction (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFVMBPrvrfpqRxTVmKcMRq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Koustinoudi, Anna. |t Split Subject of Narration in Elizabeth Gaskell''s First Person Fiction. |d Lanham : Lexington Books, ©2011 |z 9780739166086 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1791701 |z Texto completo |
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